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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Japan. Show all posts
Showing posts with label Japan. Show all posts

Saturday, November 4, 2017

Opera Review: Angels and Insects

The Met attempts to pin down Madama Butterfly.
by Paul J. Pelkonen
The bad lieutenant: Pinkerton (Roberto Aronica) peeps on Butterfly (Hui He) on their wedding night.
Photo by Ken Howard © 2017 The Metropolitan Opera.
There is no argument with the artistic or aesthetic success of the Metropolitan Opera’s current production of Madama Butterfly. It was the first production launched under the aegis of current general manager Peter Gelb and remains the greatest success of his administration. As envisioned by the late director Anthony Minghella, it was a revaluation and revolution for the venerable opera house. The show returned Thursday night, to find a very different state of affairs in the little house in Nagasaki.

Tuesday, May 31, 2011

Anna Netrebko Cancels Japan Jaunt

Diva withdraws from Met tour, citing Chernobyl concerns.
She'll take her candle and go home. Anna Netrebko in a publicity photo for Anna Bolena.
Photo © 2011 The Metropolitan Opera.
The Metropolitan Opera is on its way to Japan, but Anna Netrebko is not.

The Russian diva, scheduled to sing Mimi in the company's touring production of La bohéme has announced her 11th-hour withdrawal from the tour. The decision was announced last night in a New York Times article by Daniel J. Wakin. The article included the following statement from the Met press office: "Ms. Netrebko changed her mind having lived through the tragedy of Chernobyl." You can read the full article here.

The decision of Metropolitan Opera general manager Peter Gelb to carry on the Japan tour despite the danger of leaked radiation from the damaged nuclear reactors at Fukushima has been an unpopular one at the world's most famous opera company. The company arrived in Japan last night.

Ms. Netrebko is the fifth major artist to cancel on the Met's ill-starred tour of the Orient. So far, casualties include tenors Jonas Kaufman and Joseph Calleja, who both cited concerns about radiation leakage from the damaged nuclear reactors at Fukushima. Olga Borodina cancelled, citing a need to rest her voice. Conductor James Levine, who is taking a five-month sabbatical for health reasons.


But the soprano, whose face adorns the Met's current marketing campaign and season ticket drive, is currently the biggest star at the Met. The diva is scheduled to open the season with a new production of Donizetti's Anna Bolena, a Metropolitan Opera premiere. In March, she will sing the title role in a new staging of Manon. Both performances will be included in the Met's schedule of Live in HD broadcasts for next year.

The Met's tour includes presentations of La bohéme, Lucia di Lammermoor and the company's new staging of Don Carlo. The cancellations have required some role shuffling. Barbara Frittoli, scheduled to sing Elisabeth in Don Carlo, will switch over to Bohéme. Russian soprano Marina Poplavskaya, who created the role of Elisabeth in this production, will step in to sing the role. She cancelled a Moscow concert appearance to join the Met in Japan.

The touring company includes 350 Met stage hands, extras, and musicians. The roster of and an impressive roster of singers: Mariusz Kwiecen, John Relyea, Rene Pape, Dmitri Hvorostovsky and Diana Damrau. Tenors Marcelo Álvarez and Rolando Villazon, returning after a lengthy hiatus due to voice problems, will add firepower to the three productions. Met principal guest conductor Fabio Luisi will take James Levine's place on the podium. Gianandrea Noseda will also conduct.

The Met's two-week tour will conclude on June 14 with a concert in Tokyo. The program of that concert is listed as "TBA."

Tuesday, May 3, 2011

DVD Review: Out of the Shadows

Die Frau ohne Schatten from Nagoya, Japan
by Paul J. Pelkonen
Screen-grab of Luana DeVol as the Empress in Die Frau ohne Schatten,
Image © 1992 Bavarian State Opera/ArtHaus Musik
Richard Strauss's Die Frau ohne Schatten is his grandest work, a three-act fairy tale on an enormous scale. The piece requires seven stellar singers, a giant orchestra, and a panoply of visual effects to depict events on three different planes of existence as the story follows the marital troubles of two couples in their struggle to conceive children. This stunning production was filmed in Nagoya, Japan in 1992, was scheduled for broadcast on Japanese television, but objections from that country's censors led to the broadcast never being aired.

Friday, March 18, 2011

New York Philharmonic Pays Tribute to Tsunami Victims


Hi folks. Paul here.

For the last week, I have been watching the horrifying events happening in Japan.

Earthquake.
Tsunami.
Nuclear disaster.

I would like to ask all of our readers, (you know who you are) to please visit LivingSocial.com. There, a $5 donation to the American Red Cross relief fund for Japan will be matched by a $10 donation from LivingSocial. Donate more, and they'll match it.

It's the very least you can do.

In related news, New York Philharmonic music director Alan Gilbert took the podium last night at Avery Fisher Hall to conduct a special performance of Toro Takemitsu's Requiem for Strings before the scheduled Hungarian Echoes program.

Here's the performance:



Hungarian Echoes continues tonight with a performance of Béla Bartók's opera Bluebeard's Castle, conducted by Esa-Pekka Salonen. Review to follow this weekend.

Please donate. And thank you for reading Superconductor.

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