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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2018 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Tuesday, September 25, 2018

Opera Review: Falling Down

The Met opens with a disastrous Samson et Dalila.
by Paul J. Pelkonen
A world of toil: Robert Alagna does hard time in Samson et Dalila.
Photo by Ken Howard © 2018 The Metropolitan Opera.
It wasn't just the temple that collapsed last night.

The big story coming out of Monday's season-opening performance of Camille-Saint-Saëns' Samson et Dalila at the Metropolitan Opera was the onstage vocal collapse of Roberto Alagna. The internationally reputed tenor, who has a quarter century of experience on the Met stage, was here saddled with the role of Samson. In the third act, shorn of his hair and blinded by Philistine thugs, the singer appeared to lose his vocal strength along with his muscles. He had very little voice for the opera's demanding final scenes.

Monday, September 24, 2018

Festival Preview: White Light Festival 2018

Lincoln Center bridges music, art, theater and spirit in its annual offering.
by Paul J. Pelkonen
Image of white light hitting a compact disc.
Running from October 16 to Nov. 18, the White Light Festival is Lincoln Center's annual celebration of the human spirit as expressed through the magic of music and art. Each year has a different focus on aspects of the human condition, seeking to answer the questions of existence:

  • Why are we here?
  • What are we doing here?
  • And where around Lincoln Center can we afford to get something to eat after the show?

Sunday, September 23, 2018

Metropolitan Opera Preview: La Fille du Régiment

Tenor Javier Camarena sails the (nine consecutive) high C's.
by Paul J. Pelkonen
Javier Cammarena in La Fille du Régiment, Photo © 2018 The Metropolitan Opera.
It's a winter warmer! Pretty Yende and Javier Cammarena are the leads in this lovely bel canto comedy by Donizetti.

Saturday, September 22, 2018

Metropolitan Opera Preview: Don Giovanni

Two casts retell the story of the great seducer who gets his comeuppance.
by Paul J. Pelkonen
Luca Pisaroni (left) here as Leporello and Peter Mattei (second from right) both return to
sing the title role in Don Giovanni this season. Photo © 2018 The Metropolitan Opera.

Frolicking, fun, fire and fury. That's the world of Don Giovanni which returns to the Met for two runs of performances. It's a dull production but it's got really good singers.

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Since 2007, Superconductor has grown from an occasional concert or CD review to a near-daily publication covering classical music, opera and the arts in and around NYC, with excursions to Boston, Philadelphia, and upstate NY. I am a freelance writer living and working in Brooklyn NY. And no, I'm not a conductor.