Concert Review: A Farewell to Childhood

Daniil Trifonov returns to Carnegie Hall.
by Paul J. Pelkonen

Daniil Trifonov in performance at the Verbier Festival.
Photo by Nicolas Brodard © 2016 The Verbier Festival.

To track the evolution of an artist is an extraordinary thing. For the Russian pianist Daniil Trifonov. Mr. Trifonov made his Carnegie Hall debut at 22. On Wednesday night he returned to that famous venue with a blazing recital that indicates his evolution from boy virtuoso to an extraordinary, adult artist. Adding to the sense of the occasion were cameras from medici.tv, making the performance available for viewing by an international audience (for free through March 7, 2017.)

Concert Review: The Keys to the Kingdom

Marc-André Hamelin returns to Zankel Hall.
by Paul J. Pelkonen

Marc-André Hamelin. Photo by Sim Canetty Clark for Colbert Artists Management.

Any recital by Marc-André Hamelin in New York City is greeted with eager, one would say even fevered anticipation by piano aficionados. Mr. Hamelin may not have the international fame of Yevgeni Kissin or Lang Lang. He has been invited (yet) to join Metallica onstage. But this artist has something more than virtuosity. He has musicianship--and a willingness to explore the difficult corners of the piano catalogue where other artists so often fear to tread.

Concert Review: Five Thousand Fingers

Daniil Trifonov makes his Carnegie Hall recital debut.
by Paul J. Pelkonen

Daniil Trifonov. Photo © 2012 Decca Classics.

For any young musician making their way in the world of classical music, a first solo recital at Carnegie Hall is a big deal. For the young Russian pianist Daniil Trifonov, who started his lessons at the age of five and now makes his first solo appearance at the legendary concert venue at the age of 21, the stakes on Tuesday night were huge.

For this program, Mr. Trifonov chose a program balancing standard repertory with the flashy musicianship one hopes to see from a promising young piano-slinger. With long, seemingly boneless fingers and a keen musical mind, Mr. Trifonov has formidable physical tools that allow him to follow in his country's long tradition of pianistic skill. This concert was his chance to show that he is the next potential carrier of that flame.

The concert opened with Alexander Scriabin's dream-like Sonata-Fantasie, a piece with contrasting slow and fast movements. Mr. Trifonov hunched his lanky frame over the keys, seeming to burn with concentration as he drew this composer's unique, diaphanous textures out in the slow movement. Notes peeped through the gossamer of sound, coalescing into themes. In the second movement, the left hand rhythms were played with an almost over-eager drive, propelling the work's rhythm to a blazing finish.