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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Armenia. Show all posts
Showing posts with label Armenia. Show all posts

Thursday, March 15, 2018

Concert Review: Dead Man's Party

Lara St. John and Matt Herskowitz rock The Crypt Sessions.
by Paul J. Pelkonen
Underground music: Matt Herskowitz and Lara St. John entombed.
Photo by Andrew Ousley for The Crypt Sessions.
At last night's installment of The Crypt Sessions, the esteemed series of chamber music and concert recitals that takes place in the sepulchre of the Church of the Intercession at W. 155th St. and Broadway, host (and curator) Andrew Ousley staked the claim that the Canadian violinist Lara St. John was a "force of nature." The violinist, in concert with her performing partner Matthew Herskowitz, was offering something special in the house of the dead. The program was Lavuta an hourlong mixtape of fiddle tunes and folk-inspired music from Eastern Europe, covering a vast triangle of land from Moscow to Jerusalem to Budapest. 

Thursday, November 21, 2013

Opera Review: An Invasion, Tastefully Decorated

The Juilliard School presents Handel's Radamisto.
by Paul J. Pelkonen
Radamisto (John Holiday) consoles Zenobia (Virginie Verrez) in a scene from Handel's Radamisto.
Photo by Nan Melville © 2013 The Juilliard School.
The Juilliard Opera is more than just a student ensemble--this is one of the most innovative companies at Lincoln Center. Each season, the students and guest artists at the Peter Jay Sharp Theater find ways to present a vast and diverse repertory. On Wednesday night, Juilliard opened its 2013 opera season with a new production of Handel's Radamisto by James Darrah. The performances, featuring the school period ensemble Juilliard 415, marked the conservatory debut of conductor Julian Wachner.

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Critical Thinking in the Cheap Seats