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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Tuesday, June 21, 2016

Superconductor Audio Guide: The Wagner Operas

A new approach to old opera recordings on Superconductor .
by Paul J. Pelkonen
Richard Wagner at warp speed.

On Saturday night,  I was coming out of Carnegie Hall and the last concert of the season (which was Yefim Bronfman playing Prokofiev--review to follow.) And even though my vacation is coming up, I had an idea for an article series: to write a comprehensive Superconductor guide to the ten major Wagner operas and then maybe use that as a launch point for the tricky business of writing about some of the great recordings I know and love.

Here are the ten Wagner "repertory" operas in chronological order. All now link to finished Superconductor Audio Guides.

I'm planning on ten review articles as a "pilot" program, followed by a look at complete recordings of the Ringin addition to the best individual readings of the operas.

The format will be short overviews of the operas themselves and their significance, followed by the five best recordings of a particular opera (or in a few cases, three best recordings) with slightly longer capsule reviews. The recordings will all be drawn from the Superconductor audio library and in some cases are performances that I haven't listened to in years.

We'll discuss mono vs. stereo, live vs. studio and different editions of the works (applicable mostly to Tannhäuser and Dutchman) operas that exist in the repertory in two divergent versions) and even get into which Bayreuth Parsifal is THE recording to spend your money on...and why.

If it's well received (in other words if the pageview counts are good!) I might do a bonus round on the best overall recordings of the Ring and then maybe move on to other composers if the format catches on. Again, you, the reader will decide, so please "click" if you like these articles. I've decided to work on this as a pilot project over the summer in between festival articles, the Metropolitan Opera Preview and other exciting stuff. I hope you all find it enjoyable.

For now I've got a lot of operas to get through to get this project under way.

So let's get listening!

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Critical Thinking in the Cheap Seats