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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2016 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Wednesday, July 19, 2017

Metropolitan Opera Preview: Norma

A change of seasons and a change of divas for Opening Night.
by Paul J. Pelkonen
Priestess in distress: Sondra Radvanovsky is Norma.
Photo by Paola Kudacki © 2017 the Metropolitan Opera.
Norma is one of those operas that is all about the soprano singing the title role. In this case, the Metropolitan Opera opens its 2017-18 season with a new production by Sir David McVicar, starring Sondra Radvanovsky as the knife-wielding pagan priestess who reacts badly when she learns her boyfriend (the leader of the opposing Roman forces) is cheating on her....with her handmaiden.

Friday, July 14, 2017

Concert Review: Outside it May Be Raining...

Beating the heat with the Chamber Music Society of Lincoln Center.
by Paul J. Pelkonen
Partners at work: David Finckel and Wu Han.
Photo from the artists' website.
Most summer music festivals take place under hot tents or purpose-built structures open to the elements. Neither are conducive to good music-making, although the combination of grassy swards, majestic trees and a good bottle of cab. franc makes up for any unpleasantness. The Chamber Music Society's summer series, which gave the second of three concerts on Wednesday night, offers a comfortable alternative: the air-conditioned acoustic excellence of Alice Tully Hall.

Thursday, July 13, 2017

Follies on the Roof

Tosca star, conductor take the act to Tanglewood.
by Paul J. Pelkonen
Jump they say: Karita Mattila in a promotional shot for the Met's old production of Tosca.
Image © 2009 The Metropolitan Opera

Those wanting to see the original conductor and soprano scheduled for the Metropolitan Opera's new production of Tosca should head to Tanglewood in Lenox, MA. on August 26. Conductor Andris Nelsons and his wife Kristine Opolais will perform Act II of the opera in a special opera gala at the Boston Symphony Orchestra's annual summer festival.

Wednesday, July 12, 2017

Concert Review: When the Typewriters Talk....

Lincoln Center Festival does Naked Lunch.
by Paul J. Pelkonen

Liquid courage: Peter Weller drinks up in Naked Lunch.
Image Copyright 1991 201th Century Fox.
Ornette Coleman carved his own path as a composer. As he burst upon the scene, he epitomized the atonal explorations of free jazz and then developing his own musical system of “harmolodics” to express himself with saxophone and pen. On Tuesday night, the Lincoln Center Festival kicked off its week-long Coleman tribute with a screening of Naked Lunch, the surreal, disturbing and very funny David Cronenberg film for which Coleman supplied part of the soundtrack.

Tuesday, July 11, 2017

Orpheus in Thuringia

Why did Wagner choose to set Tannhäuser?
by Paul J. Pelkonen
This isn't exactly what happens in Tannhäuser but to be fair
it is a long opera. Art by John Byrne from The Incredible Hulk No. 315 © Marvel Comics.
Of the thirteen operas that Richard Wagner brought to the stage, it is his fifth, Tannhäuser that creates the most headaches for singers, conductors and directors. It is a Germanic update of the the Orpheus myth. Wagner distilled his libretto from theee separate medieval legends, creating a complex and flawed work that meditates on the dichotomy between reason and passion, between celestial fate and earthly lust, with an artist and musician trapped in the middle.

Wednesday, July 5, 2017

Transformative Alchemy: Beethoven's Sixth Symphony.

An analysis of the Pastorale Symphony.
by Paul J. Pelkonen
 Beethoven and Nature.
Detail from the painting by N.C. Wyeth.

What is program music? This is a question that musicians and music critics have been wrestling with (and generally losing the match) for 200 years. The debate started in 1808, the year that Ludwig van Beethoven premiered his Symphony No. 6 in F Major, the Pastorale. While it would be Hector Berlioz who created the first detailed program for a symphony 22 years later in his Symphonie-fantastique, Beethoven pointed the way forward by substituting movement titles for the usual tempo markings. 

Recordings Review: One Man Against the World

Jonas Kaufmann sings Mahler solo.
by Paul J. Pelkonen
The mysterious Jonas Kaufmann.
Photo by Julian Hargreaves for Sony Classical.
How does a singer start his next act? If you're Jonas Kaufmann, the heartthrob tenor who is known for his good looks, stage presence and (more recently) frequent cancellations, you do it on record. Mr. Kaufmann is known for the lighter Wagner tenor roles (Lohengrin, Parsifal) as well as heroic parts in the operas of Puccini, Bizet and Massenet. However his newest recording, released this spring by Sony Classical is something different: a solo flight through Mahler’s autumnal epic Das Lied Von der Erde.

Saturday, July 1, 2017

Opera at Random: Pelléas et Mélisande

A walk in the dark woods with Claude Debussy.
by Paul J. Pelkonen
A scene from the (rather beautiful) Robert Wilson staging of
Pelléas et Mélisande from the Opera de Paris. Photo courtesy medici.tv.
Like the forests of Allemonde, Superconductor was dark for the last week as I rested, recharged and figured out what direction I want to take this blog in next. Today, I borrowed an idea from the composer John Cage: indeterminacy. Using the shuffle function on my old 160GB iPod Classic to decide which composer I'm writing about. And the winner is: Claude Debussy and his lone opera: Pelléas et Mélisande.

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Critical Thinking in the Cheap Seats

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Since 2007, Superconductor has grown from an occasional concert or CD review to a near-daily publication covering classical music, opera and the arts in and around NYC, with excursions to Boston, Philadelphia, and upstate NY. I am a freelance writer living and working in Brooklyn NY. And no, I'm not a conductor.