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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Tannhäuser. Show all posts
Showing posts with label Tannhäuser. Show all posts

Tuesday, July 11, 2017

Orpheus in Thuringia

Why did Wagner choose to set Tannhäuser?
by Paul J. Pelkonen
This isn't exactly what happens in Tannhäuser but to be fair
it is a long opera. Art by John Byrne from The Incredible Hulk No. 315 © Marvel Comics.
Of the thirteen operas that Richard Wagner brought to the stage, it is his fifth, Tannhäuser that creates the most headaches for singers, conductors and directors. It is a Germanic update of the the Orpheus myth. Wagner distilled his libretto from theee separate medieval legends, creating a complex and flawed work that meditates on the dichotomy between reason and passion, between celestial fate and earthly lust, with an artist and musician trapped in the middle.

Saturday, January 2, 2016

The Year in Reviews: The Operas of 2015

The ten best opera performances of the year that was.
by Paul J. Pelkonen
Dangerous curves: Marliss Peterson's performance in Lulu was a highlight of 2015.
Photo by Ken Howard © 2015 The Metropolitan Opera.
Despite the untimely death of Gotham Chamber Opera, 2015 was largely a successful year for the art form in the New York area and elsewhere. Here's the ten best opera performances that this reviewer saw this calendar year. All titles link to full Superconductor reviews. Chronological order with the oldest first.

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Critical Thinking in the Cheap Seats