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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Metropolian Opera Preview. Show all posts
Showing posts with label Metropolian Opera Preview. Show all posts

Wednesday, August 15, 2018

Metropolitan Opera Preview: La bohème

Death, romance and the rooftops of Paris in Puccini's timeless opera.
by Paul J. Pelkonen
He ain't got nobody: Vittorio Grigolo returns to the role of Rodolfo in La bohème.
Photo by Marty Sohl © 2018 The Metropolitan Opera.
The Metropolitan Opera markets Puccini's fourth opera as "the most popular opera of all time." That may be debatable, but the show returns this year in Franco Zefirelli's elaborate and constantly rehabilitated production. As usual it is a proving ground for a young soprano as Nicole Car takes on the role of Mìmì.

Thursday, November 16, 2017

Metropolitan Opera Preview: The Verdi Requiem

In place of the cancelled Forza, four concert performances of Verdi's thunderous Requiem.
by Paul J. Pelkonen
The Met Chorus and soloists in the Verdi Requiem.
Photo © 2017 The Metropolitan Opera courtesy the press department, 
Giuseppe Verdi's setting of the Messa da Requiem has been called his best opera that doesn't have a staging. Here, the Met offers this massive work as a substitute for its cancelled production of La Forza del Destino. 

Tuesday, July 25, 2017

Metropolitan Opera Preview: Die Zauberflöte

We test the theory that everything is funnier in German.
by Paul J. Pelkonen
Kathryn Lewek is the Queen of the Night in Mozart's Die Zauberflöte.
Photo by Ken Howard © The Metropolitan Opera.
James Levine continues his tour of the great Mozart operas with the composer's last work. Die Zauberflöte ("The Magic Flute") is part knockabout comedy, part love story and part sacred mystical journey into enlightenment for its young hero. This is the uncut version of the opera, sung in German. (A shorter version in English will be offered in December, geared toward a younger audience.)

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Critical Thinking in the Cheap Seats