The Superconductor Preview: September, 2016

We launch a new monthly preview feature...right now. 
(isn't that exciting?)
by Paul J. Pelkonen

We at Superconductor celebrate a new monthly preview feature launching with a....

The clock of the classical music season starts running early this month, just two short days after Labor Day. As we prepare to fire the starting gun on the 2016-17 season here are five don't miss events for September, 2016.



BAM NextWave: the loser
David Lang's one-act opera about a pianist who happened to be in the same competitions as Glenn Gould is the opening work of the 2016 BAM NextWave Festival. Starts Sept 7. at the Howard Gilman Opera House.

New York City Opera: Aleko/Pagliacci
The resurgent New York City Opera launches its first fall season since 2009 with this twin bill, pairing Rachmaninoff's first opera Aleko with the classic Leoncavallo work. The story of a vendetta among Gypsies should dovetail nicely with the familiar tale of a knife-wielding clown on a killing spree. At the Rose Theater in the Time Warner Center, starting Sept. 8.

An iconic shot from Woody Allen's Manhattan.
© 1979 Woody Allen, MGM/UA

New York Philharmonic: The Art of the Score
The Philharmonic season actually opens with a gala concert on Sept. 21, but that will be prefaced with the annual The Art of the Score film festival, featuring the orchestra playing Leonard Bernstein's score for West Side Story (Sept. 13-15) and the George Gershwin-fuelled score of Woody Allen's black and white classic Manhattan. (Sept. 16)

LoftOpera: Cosí fan tutte
For some opera companies, the season never ended. LoftOpera returns with their stripped-down and saucy version of Mozart's Cosí fan tutte, mounted at its new location 101 Varick Ave. in  East Williamsburg, Brooklyn.

Stage image from the Met's new Tristan und Isolde.

Metropolitan Opera: Tristan und Isolde
The Met opens its season Sept. 26 with the ultimate feel-bad Wagner opera, a tragic love story here presented in a new production. If you can't get tickets for the opener, go to Times Square and watch it for free on the giant televisions, where Wagner's music should stun a few tourists. Other early Met shows this year include Don Giovanni and the perennial revival of La bohéme.

Ten Great Opera Movies

From the Marx Brothers to 007--a history.
by Paul Pelkonen
The world of opera and Hollywood have a long association. Opera composers of the 20th century won Oscars for their work, and the epic sweep of Grand Opera led to giant spectacles like Ben-Hur, and even Avatar. With that in mind, here's a list of ten movies where you'll suddenly find youself at (or in!) the opera.

Feed my Frankenstein: Boris Karloff in Charlie Chan at the Opera

1. A Night At The Opera
   The Marx Brothers' classic farce has the boys trying to help a young opera singer make good in New York while at the same time doing hilarious damage to the Verdi war-horse Il Trovatore. Kitty Carlisle delivers some beautiful singing in the final "Miserere", a few bits of Pagliacci and of course that stateroom scene.
   
   
2. Citizen Kane
   Orson Welles' dramatization of the life of William Randolph Hearst has his titular character attempting to make over his mistress into a successful opera singer. Watch their frustration build as she repeatedly mangles "Una voce poco fa" from Act I of The Barber of Seville.
   
   
3. Charlie Chan at the Opera
   One of the better examples of the early Chan movies, this thriller stars Warner Oland as the cheerful Chinese sleuth, and Boris Karloff as a Mephistophelean baritone who has escaped from an insane asylum to another haven for the insane--the opera house. The opera in this one is called "Carnivale" and was written for the movie by singer/pianist/composer Oscar Levant.
4. The Tales of Hoffmann
   This is a haunting, fairly straightforward adaptation of Offenbach's unfinished final opera. It follows the old-school practice of placing the "Antonia" act last, and for some reason she is a ballet dancer, not an opera singer. The music is gorgeous and the visuals (by The Red Shoes directors Michael Powell and Emeric Pressburger) will haunt you after the credits roll.
   
5. Hannah and Her Sisters
   Puccini is the order of the day in this Woody Allen comedy--one of his best films of the 1980s. In this case, Sam Waterston plays an opera-loving architect who briefly dates Diane Wiests character and takes her to a performance of Manon Lescaut at the Met. He brings in a bottle of wine and two glasses, something that today's bag-searching security strictly forbids. But hey, it was 1983.
   
6. Amadeus
   This Oscar-winning film is historical hokum, but an excellent examination of the relationship between rival composers Mozart and Salieri. Includes scenes from Die Entfuhrung aus dem Serail, Le Nozze di Figaro, Don Giovanni, Die Zauberflöte and even an excerpt from Salieri's little heard opera Assur.
7. Meeting Venus
   Currently out of print, this excellent Hungarian film chronicles a troubled production of Tannhaüser at the "Opera Europa" in Paris, an international company where "you can be misunderstood in twelve different languages." The plot resembles Wagner's opera, with a conductor torn between his marriage and a passionate affair with the soprano, played by Glenn Close and voiced by Kiri Te Kanawa.
8. The Fifth Element
   Luc Besson's futuristic Bruce Willis vehicle features a rendition of Donizetti's "Il dolce sono." Yes, the Mad Scene from Lucia di Lammermoor sung in an opera house on an intergalactic luxury liner by an eight-foot bright blue diva with tentacles growing out of her head. As a cabaletta, the Diva Plavalaguna sings the "Diva Dance", a blend of techno, rock and dizzying vocal acrobatics. Brava!
9. Topsy-Turvy
   Operetta is the focus here, specifically the partnership between W.S. Gilbert (Jim Broadbent) and Sir Arthur Sullivan (Alan Corduner). The movie chronicles the pair's creative split and eventual reunion, which occurred during the writing of The Mikado. You also get to see scenes from Princess Ida and The Sorcerer performed by an excellent cast.
   
   
10. Quantum of Solace
    James Bond has been to the opera before (notably in 1987's The Living Daylights), but a Bregenz performance of Tosca fuels a key plot point in this most recent Daniel Craig theater. As Bond discovers members of the secret organization "Quantum" hiding in the audience, the villain takes off his identifying "Q" pin, turns to his date and drily says "I guess Tosca isn't for everyone."