Concert Review: From Serenity to Oblivion

Stephen Hough in recital at Carnegie Hall.
by Paul J. Pelkonen

The always dapper Stephen Hough and friend.
Photo by Sim Canetty Clarke provided by Carnegie Hall. 

There's a three-word cliché used by tired (and too-wired) classical music journalistas to describe Stephen Hough. That cliché is the "thinking man's pianist." Cliché or no, he remains an intelligent and slightly aloof artist, who is most often heard in the concerto format. On Tuesday night, Mr. Hough, a dapper gent (who looks like he just auditioned for a certain BBC science fiction series) made his welcome return to Carnegie Hall for an evening of Debussy, Schumann and Beethoven.

Concert Review: Achilles' Last Stand

Alan Gilbert takes in the challenges of Beethoven and Brahms.

by Paul J. Pelkonen

The pianist Stephen Hough joined the Mew York Philharmonic this week.
Photo by Hiroyuki Ito courtesy Harrison Parrott

In his time at the helm of the New York Philharmonic, music director Alam Gilbert has left a legacy of innovation and a commitment to modernity. However, his performances of warhorses by both Beethoven and Brahms have brought middling or muddled results. On Wednesday night, Mr. Gilbert got another chance to test his mettle with this music, leading the former’s Piano Concerto No. 5 ("Emperor") and the latter's Third Symphony at David Geffen Hall.

Concert Review: Old School, Young Baton

Christian Arming conducts the NJSO at NJPAC.
by Paul J. Pelkonen

Conductor Christian Arming.
Photo by Koichu Miura.

On Thursday afternoon at the gorgeous (but never full) New Jersey Performing Arts Center (NJPAC) it was the turn of Austrian conductor Christian Arming to lead the New Jersey Symphony Orchestra in a program of Wagner, Schumann and Brahms. Mr. Arming, a protégé of Seiji Ozawa and the current music director of the Liège Royal Philharmonic in Belgium revealed himself to be a conductor of insight and considerable ability. His skills became apparent early with a slow and transparent reading of Wagner's Siegfried Idyll.

Concert Review: Teachable Moments

Stephen Hough returns to Carnegie Hall.
by Paul J. Pelkonen

The pianist Stephen Hough makes a point.
Photo from CM Management.

A New York recital by the pianist Stephen Hough is more than a pleasant evening at a concert hall, it is the opportunity to experience one of the most acute musical minds working today. Mr. Hough is a composer, author, and scholar and last Saturday night's Carnegie Hall program, fiercely independent in his approach to traditional repertory and yet grounded in a solid academic understanding of the great works. For his first solo appearance at that venue in two years was a deep delve into the music of two very different Paris-based composers: Frederic Chopin and Claude Debussy.

Concert Review: Evolution Calling

Bach and Mendelssohn are featured at Mostly Mozart.
by Paul J. Pelkonen

Stephen Hough. Photo by Stanley Fefferman.

When attending a concert at Mostly Mozart consisting of standard repertory works by Johann Sebastian Bach, Felix Mendelssohn and Mozart himself, one can be hard pressed to tease out a connection between abstract classical compositions from different time periods. The challenge becomes greater over the course of a long festival, made more so when one's occupation consists of writing reviews on a classical music blog.

Happily, this week's penultimate Mostly Mozart program (seen Wednesday night) consisted of threee works that made a coherent whole. Conductor Andrew Manze chose Mendelssohn's concert arrangement of Bach's Third Orchestral Suite, the younger composer's own First Piano Concerto (played by Stephen Hough) and a Mozart favorite, the ubiquitous but forward-thinking Jupiter Symphony. The choice of Mozart's last symphony seemed particularly apt, as the Jupiter anticipates at what would become the strange world of 19th century Romanticism.