Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Emperor. Show all posts
Showing posts with label Emperor. Show all posts

Thursday, January 12, 2017

Concert Review: Achilles' Last Stand

Alan Gilbert takes in the challenges of Beethoven and Brahms.
by Paul J. Pelkonen

The pianist Stephen Hough joined the Mew York Philharmonic this week.
Photo by Hiroyuki Ito courtesy Harrison Parrott
In his time at the helm of the New York Philharmonic, music director Alam Gilbert has left a legacy of innovation and a commitment to modernity. However, his performances of warhorses by both Beethoven and Brahms have brought middling or muddled results. On Wednesday night, Mr. Gilbert got another chance to test his mettle with this music, leading the former’s Piano Concerto No. 5 ("Emperor") and the latter's Third Symphony at David Geffen Hall.

Monday, June 30, 2014

Concert Review: Nothing But Beethoven

The Philharmonic ends their season with farewells.
by Paul J. Pelkonen
New York Philharmonic music director Alan Gilbert (left) with pianist Yefim Bronfman.
Photo by Chris Lee © 2014 The New York Philharmonic.
The New York Philharmonic's concerts last week were more than just the climax of the 2013-14 season--they marked a major turning point in the history of the United States' oldest orchestra.  They were the departure of two key Philharmonic artists: principal trumpet Philip Smith and concertmaster Glenn Dicterow, whose 34-year tenure in that position is the longest in the Philharmonic's history.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats