Opera Review: This...is...Jeopardy!

The Metropolitan Opera revives Turandot.

by Paul J. Pelkonen

James Morris (center) celebrated 1,000 performances at the Metropolitan Opera on
Tuesday. Here he appears as Timur in  Turandot with Aleksandrs Antonenko (left) as
The Unknown Prince and Maria Agresta (right) as Liù in Puccini's opera.
Photo by Marty Sohl copyright 2017 The Metropolitan Opera.

Turandot is Giacomo Puccini’s final, unfinished work. It is a a grand fantasy of legendary China as reimagined through the lens of Italian romanticism. It is a farm tale, the story of an ice-hearted princess and the fearless Prince who wins her hand. It is seen (wrongly) as the end point of the genre of Italian opera. It is also, along with La bohème, the last of the Metropolitan Opera’s giant Franco Zeffirelli productions, crowded extravaganzas that evoke the opulence of a bygone era. (In this case, we’re talking about the 1980s.)

Metropolitan Opera Preview: Turandot

Fantastical, phantasmagorical and faintly ridiculous.
by Paul J. Pelkonen

That's amore: Marcelo Alvarez (center) woos Turandot as thousands cheer.
Photo by Marty Sohl © 2017 The Metropolitan Opera.

The Met's elaborate production of Puccini's final opera returns to the delight of people who like "Nessun dorma" and big, elaborate productions.

Opera Review: Country Discomfort

The Met revives Leoš Janáček's Jenůfa. 
by Paul J. Pelkonen

Karita Mattila (standing) holds Oksana Dyka in a key scene from Act II of Jenůfa.
Photo by Ken Howard © 2016 The Metropolitan Opera.

This latest Met revival of Jenůfa, the third opera by Czech composer Leoš Janáček is one of the most important productions of the current season. It allows a new generation of opera-goers to discover one of the most powerful dramas of the 20th century, thanks to the presence of a near-ideal cast. On Monday night, soprano Oksana Dyka was incandescent in the title role, a peasant girl whose suffering makes her one of the great operatic heroines. She's pregnant by a man that does not love her. She is attacked and mutilated by his love-struck brother. And then the baby is drowned.

Metropolitan Opera Preview: Jenůfa

Leoš Janáček's harrowing drama of Czech village life returns.
by Paul J. Pelkonen

Oksana Dyka in the title role of Jenůfa, opening at the Met on Oct. 28.
Photo by Ken Howard © 2016 The Metropolitan Opera.

The last time the Met staged its production of Jenůfa, Karita Mattila shone in the title role. Now, the Finnish diva graduates to the role of the Kostelnicka, the original operatic stepmother from hell. t
his bucolic tragedy is one of Janáček's masterpieces and the opera tht made the Czech composer a sensation late in life.

Metropolitan Opera Preview: Tosca

Yes, it's the Met's Luc Bondy production...thankfully for the last time.
by Paul J. Pelkonen

With furniture like this, you might jump too.
Act II of Tosca in the Met's current Luc Bondy production.
Photo © 2015 The Metropolitan Opera.

Add together four sopranos, three tenors, two conductors and one of the most godforsaken opera productions in recent memory at the Metropolitan Opera, and whaddya get? Tosca! With a new production (by Sir David McVicar) scheduled to premiere on Dec. 31, 2017, this is the final, flying leap for the Luc Bondy version of Puccini's most blood-curdling opera. The title role will be split four ways, between sopranos Oksana Dyka, Angela Gheorghiu, Maria Guleghina and  Liuydmila Monastyrska.