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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Miah Persson. Show all posts
Showing posts with label Miah Persson. Show all posts

Sunday, November 10, 2013

Concert Review: Famous Last Words, Revised

The New York Philharmonic offers a new version of Mozart's Requiem.
by Paul J. Pelkonen
Conductor Bernard Labadie. Photo by David Cannon© 2013 Les Violins du Roy.
In March of this year, the New York Philharmonic offered The Bach Variations, an an entire month celebrating the music of Johann Sebastian Bach. Not only did this festival remind concert-goers of this ensemble's skill with baroque music, it also provided opportunity for some lesser-known conductors to appear with the orchestra. One of them was Bernard Labadie, music director of Les Violons du Roy and a specialist in music from the baroque era. On Friday night, he conducted with a brisk, efficient energy, moving lightly on his feet and drawing dulcet tones from singers and ensemble.

Wednesday, August 14, 2013

Opera Review: Off the Rack

The Budapest Festival Orchestra presents Le Nozze di Figaro.
by Paul J. Pelkonen
Iván Fischer (lower right) supervises the good-natured insanity in Act II of
Le Nozze di Figaro at Lincoln Center's Mostly Mozart Festival.
Photo by Richard Termine © 2013 Richard Termine.
One of the most eagerly anticipated events of this year's Mostly Mozart Festival is the return of conductor-director Iván Fischer and the Budapest Festival Orchestra. Mr. Fischer, who mounted a superb Don Giovanni two years ago) have returned to Lincoln Center with a new production of Mozart's Le Nozze di Figaro, seen Tuesday night at the Rose Theater.

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Critical Thinking in the Cheap Seats