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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Gilbert's playlist. Show all posts
Showing posts with label Gilbert's playlist. Show all posts

Tuesday, June 25, 2013

Concert Review: Journey Into Modernity

The New York Philharmonic plays Haydn, Wagner and Rouse.
by Ellen Fishbein
Alan Gilbert. Photo from nyphil.tumblr.com
The New York Philharmonic is reaching the last stages of its current Gilbert's Playlist mini-festival. On Thursday night, the program was a collision of Joseph Haydn, current composer-in-residence Christopher Rouse and Richard Wagner. The combination, in the words of music director Alan Gilbert, sparked "artistic electricity."

Friday, June 7, 2013

Opera Review: The Lockdown

The New York Philharmonic exercises Il Prigioniero.
by Paul J. Pelkonen
Alan Gilbert. Photo by Chris Lee © 2011 The New York Philharmonic.
It is a universal conceit that no worthy Italian operas were written after Turandot, the last (and unfinished) opera of Giacomo Puccini. The development of so-called "serial" or modern music and the rise of Fascism in Italy conspired to put an end to four centuries of that country's most famous art form.

Sunday, June 2, 2013

Concert Review: Jazz Odyssey, Part II

Gilbert's Playlist opens with Wynton Marsalis' Swing Symphony.
by Paul J. Pelkonen
Meeting of the minds: Wynton Marsalis (left) and Alan Gilbert share a moment.
Photo by Chris Lee for nyphil.tumblr.com © 2013 The New York Philharmonic
The New York Philharmonic are back for a month-long stand at Avery Fisher Hall. On Saturday night, the orchestra played the final concert in the first weekend of Gilbert's Playlist, the month-long festival centered around the contents of music director Alan Gilbert's hard drive. The concert explored the amorphous territory between jazz and 20th century classical music, and featured the first subscription performances of Wynton Marsalis' Symphony No. 3, dubbed the Swing Symphony by the trumpeter turned composer.

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