Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Edgar Varese. Show all posts
Showing posts with label Edgar Varese. Show all posts

Sunday, April 29, 2018

Concert Review: Old Stalin's Ghost

The Los Angeles Philharmonic returns to Lincoln Center.
by Paul J. Pelkonen
Gustavo Dudamel returned to Lincoln Center with the
Los Angeles Philharmonic on Friday night. Photo courtesy Lincoln Center Press Dept.
The arrival of the sensational conductor Gustavo Dudamel and the Los Angeles Philharmonic is always a cause for celebration at Lincoln Center. Mr. Dudamel remains the leading musical export of Venezuela, the proof that that country's El Sistema program is an entirely successful social experiment in producing quality musicians under difficult circumstances.

Thursday, May 10, 2012

Concert Review: The Godzilla Concerto

Spring For Music continues, with Marc-Andre Hamelin playing Busoni.
by Paul Pelkonen
If the Busoni concerto were a Japanese movie monster, this is who it would be.
Image of Godzilla (Gojira) © 1954 Toho Studios. Character of Godzilla is the property of Toho Studios.
The Spring For Music festival reached its midway point on Wednesday night at Carnegie Hall. Since the New Jersey Symphony Orchestra travelled the shortest distance to participate in this week of modern music, it was fitting that they chose the toughest program on the schedule: Nocturnal by Edgar Varese, Kurt Weill's obscure Symphony No. 1 (Berliner), and Ferruccio Busoni's gigantic Piano Concerto. The concert was music director Jacques Lacombe's Carnegie Hall debut

Among German composers of the early 20th century, Busoni (a German, despite the Italian name) is looked at as something of an evolutionary dead end, with few followers of his footsteps or much interest in his difficult ideas of a new musical language. With this concert, Mr. Lacombe sought to disprove that thesis: programming the Concerto with works by his students Kurt Weill and Edgar Varèse, composers who took very different musical paths.

Wednesday, March 28, 2012

Concert Review: It's All Happening!

American Mavericks comes to Carnegie Hall.
by Paul Pelkonen
A key component of John Cage's Song Books, and a valuable source of potassium.
(Andy Warhol was an "American maverick too!)
The stage of Carnegie Hall on Tuesday night had a poker table on it. Some microphones, two pianos, and a counter with a typewriter at one end, some fruits and vegetables, and a blender. 

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats