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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Callas. Show all posts
Showing posts with label Callas. Show all posts

Monday, July 29, 2013

Recordings Review: Moon Child

Cecilia Bartoli sings Norma.
by Paul J. Pelkonen
The right hand of doom: Cecilia Bartoli as Norma.
Photo by Uli Weber © 2013 Decca Classics/UMG.
When an opera singer reaches a certain level of success, they are free to take on "dream" projects, singing roles that are perceived as being outside their regular repertory. Luciano Pavarotti dabbled in popular Italian song and made records with U2. Plácido Domingo is currently steeping himself in Verdi's baritone roles, and has even preserved his Simon Boccanegra for posterity. Last year, mezzo-soprano Cecilia Bartoli unveiled her interpretation of Bellini's Norma a work associated in the 20th century with superstar singers of the soprano register.

Wednesday, November 28, 2012

The Superconductor Interview: Angela Meade

A conversation with the next queen of bel canto.
by Paul J. Pelkonen
"I don't read blogs." Soprano Angela Meade in Ernani.
Photo by Marty Sohl, © 2012 The Metropolitan Opera.
"The essence of a great bel canto opera is beautifully written melodies that seem extremely organic." Soprano Angela Meade should know. In the last five years, Ms. Meade has taken the spotlight as a bel canto specialist, reviving this lost operatic form (the phrase is Italian for "beautiful song") for a new generation of opera lovers.

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Critical Thinking in the Cheap Seats