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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Berlin Radio Symphony. Show all posts
Showing posts with label Berlin Radio Symphony. Show all posts

Tuesday, July 30, 2013

Recordings Review: The Best of Both Worlds

Marek Janowski's new Tannhäuser splits the difference. 
by Paul J. Pelkonen
Venus (center) and Tannhäuser in Lawrence Koe's 1896 painting Venus and Tännhäuser.
Image © 1896 Lawrence Koe.
Like its protagonist, Tannhäuser, the fifth opera by Richard Wagner (and the second to be considered "mature") is cursed with a double existence. Conductors can choose between the composer's original intentions ("Dresden") or the luscious orchestrations and rich "mature" Wagner of the "Paris" version created for a disastrous "second premiere" at the Paris Opéra in 1861. It is a difficult choice, as the later revisions give the story a very different tone and inflection.

Monday, April 9, 2012

Recordings Review: I Pity the Fool

Marek Janowski's 2011 Berlin Parsifal.
by Paul J. Pelkonen
Parsifal and Kundry as painted by Rogellio de Egusquiza.
This is a live recording of Wagner's Parsifal made on April 8, 2011 before an audience at a single Berlin concert. in a single Berlin concert. It is the third entry in Marek Janowski's ambitious plan to record and release all ten Wagner operas on PentaTone, an independent German label (distributed by Naxos) that specializes in multi-channel hybrid Super Audio CDs. It falls among recordings like Pierre Boulez' and Herbert Kegel's that favor a lean and mean approach to presenting Wagner's final opera.

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Critical Thinking in the Cheap Seats