Marek Janowski's new Tannhäuser splits the difference.
by Paul J. Pelkonen
Like its protagonist, Tannhäuser, the fifth opera by Richard Wagner (and the second to be considered "mature") is cursed with a double existence. Conductors can choose between the composer's original intentions ("Dresden") or the luscious orchestrations and rich "mature" Wagner of the "Paris" version created for a disastrous "second premiere" at the Paris Opéra in 1861. It is a difficult choice, as the later revisions give the story a very different tone and inflection.
by Paul J. Pelkonen
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| Venus (center) and Tannhäuser in Lawrence Koe's 1896 painting Venus and Tännhäuser. Image © 1896 Lawrence Koe. |

