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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Monday, October 6, 2014

Concert Review: Bel Canto Over Brooklyn

Joyce DiDonato cleans up at the Gowanus Canal.
by Paul J. Pelkonen
Joyce DiDonato.
Photo by Pari Dukovic for Warner Brothers Classics.
The Gowanus Canal, that perennially toxic waterway that side-winds through north-west Brooklyn is not usually associated with opera. On Friday night at the Gowanus Ballroom (a space created from the upper loft level of Serett Metalworks just off of 9th St.) mezzo-soprano Joyce DiDonato brought the music of 19th century Naples to this funky, out-of-the-way locale.

Friday, October 3, 2014

Concert Review: A Very Different Drummer

The New York Philharmonic completes its Nielsen cycle.
by Paul J. Pelkonen
Alan Gilbert in flight. Photo by Chris Lee © 2014 The New York Philharmonic.
Carl Nielsen is Denmark’s most famous composer. His six symphonies are only occasionally encountered in the concert hall, odd and occasionally obtuse in their construction. At once too strange for the standard repertory and too conventional for the modernists of the 20th century, these works are beloved in Scandinavia and revered by fearless musicologists, conductors and audience members lucky enough to hear them played live.

Concert Review: Dance Fever

The Berlin Philharmonic plays Rachmaninoff and Stravinsky.
by Paul J. Pelkonen
Berlin Philharmonic music director Sir Simon Rattle.
Photo © 2014 The Berlin Philharmonic.
Wednesday night at Carnegie Hall was the opening gala, with red carpet, superstar violinist (Anne-Sophie Mutter) and a truncated one-act concert before a glittering crowd. Thursday, however was the real opening night, the first repertory concert of the season with the Berlin Philharmonic. This concert featured a reprise of the Rachmaninoff Symphonic Dances, paired with a complete performance of the full 1910 score of Stravinsky's Firebird.

Thursday, October 2, 2014

Concert Review: The End is the Beginning

Anne-Sophie Mutter and the Berlin Philharmonic open Carnegie Hall.
by Paul J. Pelkonen
Anne-Sophie Mutter, 2014-15 Carnegie Hall Perspectives Artist
played at opening night. Photo by Harald Hoffmann for Deutsche Grammophon.
© 2014 Universal Classics/UMG
The opening of Carnegie Hall is always a festive occasion, with red carpet laid down under the famous portico on W. 57th St., a black-tie crowd and this year, a gala dinner on the Hall's new grassy roof deck. However, the main attraction this year was that the season was opening with the Berlin Philharmonic, in town for a week of concerts, a residency that will launch not only this year's Carnegie season but Lincoln Center's own White Light Festival next week.

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Critical Thinking in the Cheap Seats