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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label strike. Show all posts
Showing posts with label strike. Show all posts

Saturday, December 21, 2013

The Throwing of the Holiday Eggs

Superconductor lists The Worst of 2013.
by Paul J. Pelkonen
This year's gala for The Human Fund has been cancelled due to flying eggs.
Photoshop by the author.
This is the first installment in the blog's year-end wrap-up designed to keep you all entertained and well-read as you're stuffing yourselves at your Yuletide parties. As we do every year at Festivus, it's time to air the grievances. Superconductor lists the crappiest things to happen in the year of 2013. From the unnecessary death of the New York City Opera to the orphan status of one of New York's most important orchestras, it's all here. There's probably more to add to this list, but that thought is just too depressing.

Thursday, October 3, 2013

Keep Calm and Blog On

On Shutdowns, Closures, Crises and Coping: 
Some words from the Superconductor editorial desk.
by Paul J. Pelkonen
Just do what the sign says. Photoshop by the author.
It's been a tumultuous week for the classical music business. The New York City Opera shut its doors after seventy years of operations. The opening night of Carnegie Hall (with the Philadelphia Orchestra and violinist Joshua Bell) was kyboshed by an 11th hour strike by the stagehands' Local One. Finally, the Minnesota Orchestra continuing its year-long self-asphyxiation by lockout. The latest blow: the resignation of Osmo Vänskä from the post of Music Director following the Orchestra's withdrawal from its planned November concerts at Carnegie Hall.

Wednesday, October 2, 2013

Carnegie Hall Opener Canceled

Stagehands strike nixes Opening Night.
by Paul J. Pelkonen
There's a new soloist (but no audience) as Carnegie Hall goes dark for opening night.
Original photo © Carnegie Hall. Photoshop by the author.
In a move that sent ripples through the New York classical music community, Carnegie Hall has been forced to cancel its opening night gala featuring Yannick Nézet-Séguin, Joshua Bell and the Philadelphia Orchestra.

Sunday, March 17, 2013

How Not To Get To Carnegie Hall

San Francisco Symphony cancels East Coast tour.
by Paul J. Pelkonen
Just do what the sign says.
The San Francisco Symphony will not come to New York this week.

The musicians struck last Wednesday, following a month-long dispute regarding player salaries, pension funds, and the projected renovation of their home venue Davies Hall.

Thursday, March 14, 2013

They Left Their Parts (in San Francisco)

San Francisco Symphony Orchestra strikes.
by Paul J. Pelkonen
Labor impasse in San Francisco means concert cancellations at Davies Hall.
Original image © San Francisco Symphony. Photo editing by the author.
Members of the San Francisco Symphony Orchestra cancelled a rehearsal Wednesday, causing the orchestra to nix a planned performance of Gustav Mahler's Ninth Symphony. The players had been working without a contract since Feb. 10, the same day that they won a Grammy for Best Orchestral Performance of 2012.

Friday, January 20, 2012

It's Only a Paper House

City Opera tickets reduced to $25 a seat.
by Paul Pelkonen
Leaving Lincoln Center has forced City Opera to be creative in seeking a new venue.
This one is low-cost, and best of all, folds up.
The New York City Opera has announced that all remaining tickets for its 2012 performances at the Brooklyn Academy of Music will be just $25, thanks to a generous donation made by the Reed Foundation and the Peter Jay Sharp Foundation. 

City Opera is scheduled to open its season February 12 with a Jonathan Miller staging of Verdi's La Traviata. The company will follow it with Rufus Wainwright's first opera, Prima Donna, which will have its United States premiere on February 19.

Each opera will receive just four performances.

Following a lengthy labor dispute, the City Opera is beginning its first season as a "guerilla" opera company. It has left its Lincoln Center home of almost 50 years and "gone rogue," (my term) and spreading its season between three different theaters and two boroughs.

In addition to the BAM performances, the company will offer Così fan tutte at the Gerald W. Lynch Theater at John Jay College of Criminal Justice, and Georg Philip Telemann's Orfeo at El Museo del Barrio, located on Fifth Avenue. The Così is an eagerly anticipated followup to Christopher Alden's acclaimed 2009 production of Don Giovanni. Mr. Alden will complete the "Da Ponte" trilogy of Mozart operas with a production of Le Nozze di Figaro in an upcoming season.

The company moved out of the former New York State Theater in April of 2011, citing the rising costs of being a secondary tenant in the recently renovated venue. This followed the cancellation of the 2008-2009 season, during which said renovations took place. A number of City Opera veterans, including tenor Plácido Domingo and soprano Catherine Malfitano were critical of the move, saying that the company was sacrificing its identity for economic reasons.

The 2012 season was announced in July of 2011. That announcement was picketed by members of the opera's orchestra and chorus, who were incensed at the company's new contract offers. A bitter labor dispute followed, with the intervention of a federal mediator and a January 9 lockout of the chorus. 

Musicians Local 802 and the American Guild of Musical Artists reached settlements on Tuesday, assuring that the opera season will go forward.

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