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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Wendy White. Show all posts
Showing posts with label Wendy White. Show all posts

Saturday, December 21, 2013

The Throwing of the Holiday Eggs

Superconductor lists The Worst of 2013.
by Paul J. Pelkonen
This year's gala for The Human Fund has been cancelled due to flying eggs.
Photoshop by the author.
This is the first installment in the blog's year-end wrap-up designed to keep you all entertained and well-read as you're stuffing yourselves at your Yuletide parties. As we do every year at Festivus, it's time to air the grievances. Superconductor lists the crappiest things to happen in the year of 2013. From the unnecessary death of the New York City Opera to the orphan status of one of New York's most important orchestras, it's all here. There's probably more to add to this list, but that thought is just too depressing.

Saturday, August 3, 2013

Injured Mezzo Sues Metropolitan Opera

Singer sues following 2011 Faust fall.
by Paul J. Pelkonen
Wendy White (right) as Marthe in the Met's production of Faust,
with bass René Pape as Mephistopheles.
Photo by Ken Howard © 2011 The Metropolitan Opera.
According to a story published today on the official website of The New York Times, opera singer Wendy White has filed suit against the Metropolitan Opera following an injury suffered onstage in 2011. A copy of the complaint appears here, hosted by her good friends at parterre box. (The pertinent parts of the document are on pages 8 and 9).

Sunday, December 18, 2011

Singer's Fall Stops Faust

Wendy White suffers fall during Saturday evening performance.
In the garden, before the fall. René Pape (left) as Méphistophélès duets with mezzo Wendy White
in Act III of Faust. Photo by Ken Howard © 2011 The Metropolitan Opera.
According to reports in the New York Post, New York Times and parterre.com, mezzo-soprano Wendy White fell last night during Act III of Faust at the Metropolitan Opera. The show was stopped. Ms. White was taken to the hospital.

According to Met press officer Peter Clark, Ms. White suffered bruises. As of Sunday night, she was released from the hospital and is "resting at home."

The fall happened at the start of the quartet between Faust, (Jonas Kaufmann) Méphistophélès (René Pape), Marguerite (Marina Poplavskaya) and Marthe, the character played by Ms. White. The quartet contrasts the romantic singing of Faust and Marguerite with the byplay between the devil and the nurse.

According to eyewitness accounts published on the parterre.com message boards, Ms. White was entering behind Mr. Pape, with both singers on the multi-tiered scaffolding on one side of the stage, when she suddenly disappeared. A "loud crashing noise" was heard. Mr. Pape turned to the conductor and made a "cut" gesture with his hand slashing across his throat. Mr. Kaufmann was heard to say "Sorry, we have to stop." The curtain came down quickly.

A stage manager came out and asked the audience to remain in their seats while the incident was sorted out. Five minutes later, she returned, and announced that there would be an "early intermission." After a 25 minute pause, the opera resumed with Tamara Mumford taking over the role of Marthe. Conductor Pierre Valet  picked up the work from Faust's line "Eh quoi, toujours seule?"  This time, the singers made their entrance from the wings, not the set. The opera ended late, about 12:35.

According to a Met press representative quoted in the Times article, the accident was caused when a hinge, which connected a piece of plywood to the spiral stairway broke. The plywood fell, and Ms. White fell with it, landing on her back. Considering that the elaborate scaffold set is almost 25 feet high, she may have been very lucky indeed. 

Wendy White is a Metropolitan Opera fixture who made her debut as Flora in a 1989 production of La Traviata. We here at Superconductor would like to wish her a speedy recovery, and express relief that the singer is apparently unhurt.

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