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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label piano review. Show all posts
Showing posts with label piano review. Show all posts

Sunday, October 20, 2013

Concert Review: The Family That Plays Together

The 5 Browns Debut at Carnegie Hall.
by Paul J. Pelkonen
Waiting for their Steinways: The 5 Browns perch on a piano.
Image © 2013 The 5 Browns.
The piano transcription has always been the unloved middle child of the keyboard repertory. Sometimes, playing an orchestral work can reveal harmonic complexities or make the composer's intent clearer to the ear. Other transcriptions can drain a work of its vitality and reduce orchestral colors to mere dexterity and flash.


Both of those extremes were on display on Friday night at Carnegie Hall, which saw the debut of sibling pianists The 5 Browns on the main stage of that historic auditorium. These Utah-raised, Juilliard-educated pianists (Desirae, Deondra, Gregory, Melody and Ryan) offered a program that was almost entirely composed of piano transcriptions, featuring their signature sound of five Steinway concert grands, nosed up against each other in a vast circle of keys, hammers and strings.

Monday, May 6, 2013

Concert Review: A Day at the Races

Maurizio Pollini plays Carnegie Hall.
by Paul J. Pelkonen
Preacher man: Maurizio Pollini played Beethoven at Carnegie Hall this Sunday.
Photo © Universal Classics.
The return of pianist Maurizio Pollini to the concert stage of Carnegie Hall this spring was one of the most eagerly anticipated events of the spring classical season. The Italian-born pianist had been forced to cancel appearences in 2011 and 2012. Adding to the excitement: the fact that Sunday's program featured the award-winning recording artist playing nothing but Beethoven: four of those piano sonatas dubbed the "New Testament" of the instrument.

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Critical Thinking in the Cheap Seats