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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Star Wars. Show all posts
Showing posts with label Star Wars. Show all posts

Monday, October 9, 2017

Concert Review: Saving the Galaxy (and the franchise)

The New York Philharmonic ends its Star Wars marathon. 
by Paul J. Pelkonen
Adam Driver as the villainous Kylo Ren in Star Wars: The Force Awakens.
Image © 2015 The Walt Disney Corporation used for promotional purposes only.
When Star Wars: The Force Awakens (Episode VII to fans) hit movie theaters in 2015, the franchise's fanbase had a right to be nervous. Would this new film, produced by Disney and set 30 years after the events of Return of the Jedi bring the Force back into balance? Or would it be another dark, turgid history lesson in the vein of the murky "Prequel Trilogy?" Happily, Force Awakens is the former, and the New York Philharmonic paid tribute to the next generation of Jedi with Saturday night's concert, the second of two complete performances of the John Williams score and the last in the orchestra's four-film cycle of Star Wars performances.

Sunday, October 1, 2017

Concert Review: Sometimes the Bad Guys Win

The New York Philharmonic plays The Empire Strikes Back.
by Paul J. Pelkonen
The father-son reunion at the climax of Star Wars Episode V: The Empire Strikes Back.
Image © 1980 LucasFilm, Twentieth Century Fox, The Walt Disney Company.
Episode V: The Empire Strikes Back is generally considered to be the best Star Wars film ever made. The dark middle chapter of the original trilogy came out in 1980 as the second movie released, and remains a firm fan favorite. It boasts an expanded universe, a complicated storyline alternating between the flight of Han Solo and Princess Leia from the evil and remorseless Darth Vader, and the Jedi training of Luke Skywalker at the hands of the diminuitive but wise Yoda.

Monday, September 18, 2017

The 2017-18 New York Philharmonic Season Preview

New York City's most prominent symphony orchestra unveils its new face.
by Paul J. Pelkonen
The New York Philharmonic unveiled Jaap von Zweden (center) as its new Music Director.
Background art © 1983 Mad Magazine from Issue 259. Painting by Harvey Kurtzman and Will Elder.
Photo butchery by the author.
The New York Philharmonic throws open its doors tomorrow night with a concert they are dubbing the Gala of 106 All-Stars. The program is unusual and heavy for an opening night: Gustav Mahler's burly five-movement Symphony No. 5. The real star of the show will be on the podium: Dutch conductor Jaap van Zweden who is one year away from beginning his tenure as the orchestra's newest Music Director. This concert will be reviewed on Superconductor but if you're not going it will also be streamed live on Facebook.

Sunday, September 17, 2017

Concert Review: A Precise Hit Will Start a Chain Reaction

The New York Philharmonic plays Star Wars Episode IV: A New Hope.
by Paul J. Pelkonen
Three ships came back: the Rebels at the start of the Battle of Yavin.
Image from Star Wars Episode IV: A New Hope © 1997 Lucasfilm Ltd./The Walt Disney Company.

There would be no Star Wars without the music of  John Williams. On Friday night, the composer's stirring opening music sent hairs standing on end as the New York Philharmonic gave its second performance of the complete orchestral score of Star Wars Episode IV: A New Hope. Their task: accompanying George Lucas' 1997 remastered "Special Edition" of the beloved 1977 science fiction classic. This concert series will continue later this month with The Empire Strikes Back, Return of the Jedi and the most recent "official" episode in the series: The Force Awakens.

Monday, September 11, 2017

Festival Preview: Star Wars at the New York Philharmonic

A long time ago, in a concert hall far away...
by Paul J. Pelkonen
His name is Lord Vader. Be extremely polite.
Star Wars art © 2017 Lucasfilm, Twentieth Century Fox and the Walt Disney Company,
used for purposes of promoting the New York Philharmonic only. 
In recent years, the New York Philharmonic has jumped squarely on the bandwagon of playing orchestral scores as accompaniment to popular films. This month though, America's oldest orchestra takes that experiment to hyperspace with the Star Wars Film Concert Series: performances of four of the seven films in the Star Wars franchise, with the orchestra thundering away (under the baton of David Newman) as the adventures of Luke Skywalker, Han Solo and Princess Leia spool forth onscreen. With Star Wars: The Last Jedi coming out in December, this three-week cinematic marathon is just the place for Star Wars fans to get their inner Force into balance.

Sunday, October 20, 2013

Concert Review: The Family That Plays Together

The 5 Browns Debut at Carnegie Hall.
by Paul J. Pelkonen
Waiting for their Steinways: The 5 Browns perch on a piano.
Image © 2013 The 5 Browns.
The piano transcription has always been the unloved middle child of the keyboard repertory. Sometimes, playing an orchestral work can reveal harmonic complexities or make the composer's intent clearer to the ear. Other transcriptions can drain a work of its vitality and reduce orchestral colors to mere dexterity and flash.


Both of those extremes were on display on Friday night at Carnegie Hall, which saw the debut of sibling pianists The 5 Browns on the main stage of that historic auditorium. These Utah-raised, Juilliard-educated pianists (Desirae, Deondra, Gregory, Melody and Ryan) offered a program that was almost entirely composed of piano transcriptions, featuring their signature sound of five Steinway concert grands, nosed up against each other in a vast circle of keys, hammers and strings.

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