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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label matinee. Show all posts
Showing posts with label matinee. Show all posts

Monday, February 26, 2018

Concert Review: These Go to Eleven

The Vienna Philharmonic plays Ives and Tchaikovsky.
by Paul J. Pelkonen
Gustavo Dudamel. Photo by Sébastien Grébille.
For the last 176 years, the Vienna Philharmonic has staked its reputation on the Austro-Germanic symphonic tradition, bringing the music of composers like Schubert, Strauss and Suppe before the public with style and skill. However, Sunday's matinee concert, the third of three this weekend at Carnegie Hall, the great orchestra eschewed the Mozart and Beethoven for a refreshing focus elsewhere. For this concert, the orchestra and current guest conductor Gustavo Dudamel agreed to play symphonies by Charles Ives and Piotr Ilyich Tchaikovsky, whose only common thread was the unconventional and innovative nature of their work.

Sunday, March 1, 2015

Concert Review: Winter Skies and Lullabies

The New York Philharmonic plays Sibelius and Brahms.
by Paul J. Pelkonen
The violinist Frank Peter Zimmermann. Photo by Klaus Rudolph © the photographer.

The audience at the New York Philharmonic’s series of 11am Friday matinee concerts skews toward the conservative; music lovers gathered to hear timeless works, preferably by composers form the 19th century whose surnames begin with 'B' On Friday morning, conductor Sakami Oramo led the orchestra in just such a concert, a sturdy three-course brunch of Sibelius and Brahms.

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Critical Thinking in the Cheap Seats