Opera Review: Goodfellows

The Met reawakens A Midsummer Night's Dream.
by Paul J. Pelkonen

Bottom at bay: Tytania (Kathleen Kim) charms a translated Nick Bottom
(Matthew Rose, with ass's head) in A Midsummer Night's Dream.
Photo by Marty Sohl © 2013 The Metropolitan Opera.

The spirit of William Shakespeare was definitely evident in the Metropolitan Opera's current revival of its  Benjamin Britten's A Midsummer Night's Dream, seen Tuesday night at Lincoln Center. This is the first presentation of the company's 1996 production (by Tim Albery and designer Antony MacDonald) in ten years. The occasion? The composer's 100th birthday, which falls on Nov. 22 of this year.

Opera Review: Goin' Bust

As New York City Opera teeters, Anna Nicole shines.
by Paul J. Pelkonen

J. Howard Marshall II (Robert Brubaker, in wheelchair) gives an interview
pushed by the title character (Sarah Joy Miller) in Mark Anthony Turnage's Anna Nicole.
Photo by Stephanie Berger © 2013 Brooklyn Academy of Music/BAM NextWave/New York City Opera.

The impending doom hovering over the New York City Opera's plans for the rest of its 2013-2014 season did not affect the second U.S. performance of Mark Anthony Turnage's opera Anna Nicole. On Thursday night at the BAM Opera House, Mr. Turnage's opera revealed itself to be a gaudy, sleazy and fiercely funny retelling of the life of Vickie Lynn Hogan, the Texas waitress whose path of celebrity and perpetual self-reinvention ended with her death by overdose (at the age of 39) in 2007.