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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label The Merry Widow. Show all posts
Showing posts with label The Merry Widow. Show all posts

Wednesday, January 3, 2018

Opera Review: Do Not Resuscitate

The Merry Widow kicks it at the Met.
by Paul J. Pelkonen
Susan Graham is game in Act II of The Merry Widow at the Met.
Photo by Marty Sohl © 2017 The Metropolitan Opera.
When the Peter Gelb era at the Metropolitan Opera is examined in posterity, the recent renaissance of operetta on the stage of that institution may rank among the general manager's more questionable endeavors. This season, the company is reviving its 2014 staging of Franz Lehár's The Merry Widow in its awkward English translation by house scribe Jeremy Sams. The saving grace of this revival is that it is a vehicle for Susan Graham, in her only role at the Met this season.

Tuesday, April 28, 2015

Opera Review: The Little Kicks

The Merry Widow returns at the Met.
by Paul J. Pelkonen
Flying over Gay Paree: three Grisettes in Act III of the Met's production of The Merry Widow.
Photo by Ken Howard © 2014 The Metropolitan Opera.
The Metropolitan Opera's new production of Lehár's The Merry Widow is back on its stage. This time, it is Susan Graham, back in the title role of Hanna Glawari, the young and glamorous  Pontivedrian heiress at play in the City of Lights. This production, (which starred Renée Fleming when it bowed on New Year's Eve 2014) is the first Met show by Tony-winning director and choreographer Susan Strohman (The Producers.) Under the baton of principal conductor Fabio Luisi, Monday night's performance had considerable energy  if little poise as the orchestra bashed through the composer's catchy tunes.

Monday, December 29, 2014

Metropolitan Opera Preview: The Merry Widow

The Met warms up a new production of Lehár's operetta.
by Paul J. Pelkonen
Renée Fleming as Hanna and Nathan Gunn as Danilo in Lehár's "The Merry Widow."
Susan Stroman's new production opens on December 31, 2014.
Photo by Brigitte Lacombe © 2014 The Metropolitan Opera.
In this new production of the evergreen Lehár operetta, Renée Fleming is Hanna Glawari, a rich and glamorous widow who becomes the object of affection for every ardent young suitor in turn-of-the-century Paris. Nathan Gunn is her ardent suitor Danilo.

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Critical Thinking in the Cheap Seats