It's time to go back to the Island as the Met revives its baroque pastiche.
by Paul J. Pelkonen
(Editor's note: As this is the Met's revival of a pastiche, this preview is largely built from the January 5 Superconductor review of The Enchanted Island "Down With the Ship (Slight Return.)" You've got to have your fun when you can get it. )
"Pastiche, the art of pasting together songs by different composers to make a new, playable work of art, has a long history, from the Shakesperean masques of Henry Purcell to Baz Luhrmann's film Moulin Rouge!. By combining Shakespeare's The Tempest with characters from A Midsummer Night's Dream, Mr. Sams and Mr. Gelb (working with baroque conductor William Christie) created a sampler platter of the genre.
by Paul J. Pelkonen
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Underwater love: Danielle de Niese (in drysuit) and Plácido Domingo (with trident) in a scene from Act I of The Enchanted Island. Photo by Ken Howard © 2011 The Metropolitan Opera. |
"Pastiche, the art of pasting together songs by different composers to make a new, playable work of art, has a long history, from the Shakesperean masques of Henry Purcell to Baz Luhrmann's film Moulin Rouge!. By combining Shakespeare's The Tempest with characters from A Midsummer Night's Dream, Mr. Sams and Mr. Gelb (working with baroque conductor William Christie) created a sampler platter of the genre.