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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Simone Young. Show all posts
Showing posts with label Simone Young. Show all posts

Saturday, April 13, 2019

Concert Review: A Very Unexpected Journey

Simone Young leads the New York Philharmonic in the Mahler Sixth.
by Paul J. Pelkonen
The Big Bang: Daniel Druckman swings the hammer at the climax of the Mahler Sixth.
Photo by Caitlin Ochs © 2019 The New York Philharmonic.
Nobody expected that this would be the week that Simone Young would make her long-awaited return to the New York Philharmonic. The Australian conductor, acclaimed for her work with the Hamburg Philharmonic, had not taken the podium at David Geffen Hall in twenty-one years. (However. she is on the schedule for next season, leading Elgar and Strauss.)  Ms. Young is no stranger to New York audiences, but most of her conducting engagements in this city have been at the Metropolitan Opera, and this is her first appearance with the orchestra since her debut in 1998.

Monday, April 8, 2019

The Heavy Hammer of Fate

At the New York Philharmonic, Jaap van Zweden is on the disabled list.
by Paul J. Pelkonen
Members of the New York Philharmonic brace for impact as Daniel Druckman
(with hammer) delivers the death blow during the Mahler Sixth. Photo by Chris Lee.
With the force of a gigantic hammer, a serious blow hit landed on the New York Philharmonic this week. The orchestra is playing Mahler's Symphony No. 6 in three concerts this week. The Sixth is Mahler's most pessimistic symphony, climaxing in its fourth movement with a series of enormous blows delivered by a wooden hammer. However, this week Philharmonic music director Jaap van Zweden was the one to get the bad news.

Sunday, January 2, 2011

DVD Review: Help! Help! The Bobble-heads!

Palestrina from the Bavarian State Opera.
by Paul J. Pelkonen
Neon Jesus: A scene from Palestrina with Christopher Ventris in the title role.
Photo by Wilfried Hösl for the Bavarian State Opera © 2011 EuroArts.
Palestrina is a challenge, even for aficionados of German opera. A self-proclaimed "musical legend," it is based on a (fictional) incident in the life of composer Giovanni Pierluigi di Palestrina. The opera depicts the grieving composer (Christopher Ventris) in his struggle to overcome the death of his wife and write the Missae de Papae Marcelli.

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