Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Russian revolution. Show all posts
Showing posts with label Russian revolution. Show all posts

Wednesday, May 9, 2012

Concert Review: Two Sides of Shostakovich

The Houston Symphony opens Spring for Music.
by Paul Pelkonen
Propaganda poster commemorating the massacre of 1905.
On Monday night, Hans Graf and the Houston Symphony kicked off the 2012 Spring for Music Festival at Carnegie Hall with a pair of pieces by Dmitri Shostakovich. The concert offered contrast between Shostakovich as a satirist who locked scores away in his composing desk and the composer in his "official" capacity, celebrating the unsuccessful revolution of 1905 with his Eleventh Symphony.

The first half of the concert featured the U.S. premiere of Anti-Formalist Rayok, Shostakovich's skewering of the Stalinist practice of bringing in bloated so-called "musicologists" to crack down on hard-working composers. It was Stalin's overreaction to Shostakovich's opera Lady Macbeth of Mtsensk that triggered the artistic purges of the 1930s, forcing Shostakovich to lock his Fourth Symphony in a drawer of his composition table.

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats