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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Mark Stone. Show all posts
Showing posts with label Mark Stone. Show all posts

Monday, March 16, 2015

Concert Review: Last Stop: Endsville

Thomas Adès conducts the New York Philharmonic.
by Paul J. Pelkonen
Carry a big stick: Thomas Adès conducts Totentanz.
Photo from the premiere of Totentanz at the Proms, from the Royal Albert Hall.

Thomas Adès is at the front rank of today's contemporary composers, thanks to bad-boy operas like Powder Her Face and The Tempest. On Thursday night, before a packed house that included Icelandic singer Björk and Metropolitan Opera general manager Peter Gelb, Mr. Adès led the New York Philharmonic for the first time, conducting the New York premiere of his cantata Totentanz with early compositions by  Beethoven and Berlioz.

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