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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Le Grand Macabre. Show all posts
Showing posts with label Le Grand Macabre. Show all posts

Friday, October 7, 2016

Concert Review: Two Sides of the Baton

Alan Gilbert conducts Bartòk, Ligeti and Beethoven.

Since taking the helm of the New York Philharmonic, Alan Gilbert has always presented listeners (professional or otherwise) with a frustrating paradox. For the conductor, who is in the early weeks of his final season as music director seems to be two very different conductors. He is composed and confident in modern music, exposing his audience to composers lie Magnus Lindberg and Györgi Ligeti. However, in more traditional, "classical" repertory he has faltered with slow tempos and muddled interpretations, specifically in the symphonies of Beethoven and Brahms.

Sunday, May 19, 2013

Concert Review: The Defense of the New

Sir Simon Rattle conducts the Philadelphia Orchestra.
by Paul J. Pelkonen
Soprano Barbara Hannigan as the Police Chief from Ligeti's Le Grand Macabre.
Image from BarbaraHannigan.com.
Some composers still need an advocate. Today's audiences are filled with skeptics, put off by the idea of atonal music and names like Berg, Webern and Ligeti. On Friday night at Carnegie Hall, the Philadelphia Orchestra returned to Carnegie Hall under the baton of Sir Simon Rattle, the current music director of the Berlin Philharmonic. This program cemented Sir Simon's reputation as a fearless advocate for these new sounds, interpreted through the rich, velvety texture of this top-flight ensemble.

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Critical Thinking in the Cheap Seats