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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Hänsel und Gretel. Show all posts
Showing posts with label Hänsel und Gretel. Show all posts

Tuesday, December 20, 2011

Beethoven, Wagner, and...Humperdinck?

Hänsel und Gretel go to Bayreuth.
by Paul J. Pelkonen

Arnold George Dorsey, AKA
Engelbert Humperdinck.

by P
Mention the name "Engelbert Humperdinck" and most people in the 20th century will think of the British-born singer who followed in the wake of Elvis Presley with hits like "The Last Waltz." But opera aficionados know that the former Arnold George Dorsey borrowed his stage name from the German composer of the opera Hänsel und Gretel, currently playing at the Metropolitan Opera in an English translation.

The older Humperdinck is chiefly remembered for his work in the genre of märchenoper or fairy-tale opera. Hänsel (which premiered in 1890) tells of two lost children and their encounter with a nasty old Witch in the forest. Königskinder (Royal Children) is less well known but worthy of attention. It received a hearing last year from dell'Arte Opera Ensemble.

Before he found success with his musical trail of bread-crumbs, Humperdinck was associated with Richard Wagner. He worked as an assistant conductor at the Bayreuth Festspielhaus, the theater designed by Wagner and built in that German city as a shrine to himself. But what is not generally known is that Humperdinck was one of only three composers to have his music heard at Bayreuth.

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Critical Thinking in the Cheap Seats