Concert Review: The Departed and the Heroic

The Orchestra of the Age of Enlightenment pays tribute to Lorraine Hunt Lieberson. 
by Paul J. Pelkonen

Lorraine Hunt Lieberson in Peter Sellars' production of Theodora at Glyndebourne.
Photo by Mike Hoban © 1996 Glyndebourne Festival.

On Thursday night, the Mostly Mozart Festival welcomed the Orchestra of the Age of Enlightenment for a special concert of Handel arias and orchestral works, specifically dedicated to the memory of Lorraine Hunt Lieberson. (who succumbed to breast cancer in 2006) was one of the premiere mezzo-sopranos of the modern age, a key member of a generation of singers responsible for renewing the public's interest in the operas of Handel and baroque repertory in general.

Opera Review: The Queen, Suddenly Promoted

Danielle De Niese steps in at the Met's Giulio Cesare.
by Paul J. Pelkonen

Danielle De Niese swoops in on an east wind as Cleopatra.
Photo by Tristram Kenton © 2005 The Glyndebourne Festival.

Danielle De Niese was only going to the opera last night.

The Australian soprano is not on the Metropolitan Opera's roster of singers this season. She was planning on attending the second performance of the company's new production of Giulio Cesare last night, sitting in general manager Peter Gelb's parterre box and watching the baroque extravaganza starring David Daniels in the title role and Natalie Dessay as Cleopatra.

Metropolitan Opera Preview: Giulio Cesare

The Met imports a British production of Händel's most famous opera.
by Paul J. Pelkonen

Cocktails in Egypt: David Daniels (right) and Natalie Dessay as Caesar and Cleopatra
in the Met's new production of Giulio Cesare. Photo by Dan Rest © Lyric Opera of Chicago.

The Metropolitan Opera continues to showcase the performance and production of baroque opera. Here, the company imports David McVicar's 2005 production of Giulio Cesare (alternate title: Giulio Cesare in Egitto) to the big stage as a vehicle for countertenor David Daniels (in the title role) and soprano Natalie Dessay as Cleopatra. This is the last new production of the 2012-2013 season.

Despite the British origin of this work (it premiered in London in 1724) the plot of Giulio Cesare has nothing to do with Shakespeare or the ruler's assassination on the Ides of March. Handel's opera retells the doomed romance between the Egyptian queen and the Roman military leader. The two leads have great opportunity for florid vocal display, with eight arias each.

Giulio Cesare is not some rarity dusted off by historical archivists. The work is considered to be Händel's finest, with musical invention, multiple orchestras at one point and other innovations that made it the most popular  stage work in 18th centiry London. It was one of the first baroque works to be revived in the 20th century (in a version using a baritone Caesar.) The Met will present an authentic 18th centurty style performance, conducted by Harry Bickett.

Giulio Cesare opens April 4, 2013.