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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Flux Quartet. Show all posts
Showing posts with label Flux Quartet. Show all posts

Friday, July 13, 2012

Concert Review: Three-Sided Cage

The Flux Quartet's John Cage celebration continues.
Sinister footwear: Merce Cunningham's "John Cage shoes."
by Paul Pelkonen

On Wednesday night at Bargemusic, the Flux Quartet continued their celebration of the tricksome legacy of John Cage, composer, iconoclast and maverick of modernity whose works continue to baffle listeners (and sometimes, players) today.) The first part of the program held an early, familiar work. The second and third explored difficult, gnarled sounds: what the casual listener thinks of when they hear the name "John Cage."

And sometimes they run away.

The String Quartet in Four Parts is a refreshing surprise to anyone expecting nothing but noise terror from this particular composer. Here, the writing is more conventional, almost dreamy. Its sounds are stretched, pulled apart and then knotted back together as the composer strove toward a new way of making music.

The Flux players created a performance of grace and great beauty here, paying fitting tribute to the composer's early period.


And it's rather pretty.

Saturday, July 7, 2012

Concert Review: A Game of FLUX

The Flux Quartet fétes John Cage at Bargemusic.
by Paul Pelkonen
Three faces of John Cage.
It was a hot summer night on the Brooklyn waterfront.The swelter and scent of the East River served as backdrop for a Bargemusic appearance by the Flux Quartet, the New York-based nw music ensemble who specialize in bold explorations of the last century's avant-garde.

This concert was the first part of the FLUX's three-concert series celebrating the 100th birthday of composer, chef and iconoclast John Cage. The program paired Cage's music with adventurous explorations by three of Cage's contemporaries: Earle Brown, Morton Feldman and Christian Wolff.

The program opened with a few introductory words from FLUX violinist Tom Chiu before opening with Morton Feldman's 1956 composition Three Pieces for String Quartet. This was dreamy, atmospheric music that seemed to hang shimmering in the heated air. Each piece sounded as if they could have been the soundtrack for the barge itself, echoing the creaks and wails of a vessel at rest in harbor.

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