The Metropolitan Opera (finally) revives Fidelio.
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Oh happy we: Leonore (Adrinane Pieczonka) is reunited with Florestan (Klaus Florian Vogt) in Act II of Fidelio. Photo by Ken Howard courtesy The Metropolitan Opera. |
In the current political climate, Beethoven's Fidelio, with its call for freedom in the face of corruption and the naked abuse of power is more relevant than ever, so it is fitting that this month marks the Metropolitan Opera’s first revival of the show in eleven years. The players have changed radically, but Jürgen Flimm’s grim, unrelenting production has not. It is still set in a bare modern prison, adorned by white industrial lights, inexplicable trash heaps and sadistic guards toting automatic rifles and nightsticks.