Concert Review: The No-Bell Prize

The MET Orchestra goes all-Strauss at Carnegie Hall.
by Paul J. Pelkonen

The ever-glamorous Renée Fleming sang Strauss Sunday afternoon at Carnegie Hall.
Photo by Andrew Eccles for Decca/Universal Music Group.

The starry career of soprano Renée Fleming has been associated for the past two decades with the operas of Richard Strauss, and specifically roles like the Marschallin in Der Rosenkavalier, the title role in Arabella and the Countess Madeleine in Capriccio, all more or less a fit for her aristocratic stage presence and charm.

Opera Review: The Beast of Broad Street

Don Giovanni at Opera Philadelphia.
by Paul J. Pelkonen

Don Giovanni (Elliot Madore) and Donna Anna (Michelle Johnson)
in Opera Philadelphia's new production of Don Giovanni.
Photo by Kelly and Massa © 2014 Opera Philadelphia.

There a lot of ways for directors to interpret Don Giovanni, the Mozart dramma giocoso that walks the line between comedy and tragedy. In telling the story of the libertine Spanish nobleman determined to bed every woman in Europe, director Nicholas Muni has reversed the usual method. Instead of showing the Don (Elliot Madore) as a frustrated, always-thwarted Lothario, Mr. Muni made him insatiable. In doing so, he attempted to show the Don as ultimately tragic, an ugly, insecure character who is ultimately a victim of his own "success" and his own at-large libido. This production, originally seen at the Cincinnati Opera, bowed at the Academy of Music on Friday night.

Concert Review: O, Supermen!

Strauss and Rouse at the New York Philharmonic.
by Paul J. Pelkonen

New York Philharmonic oboist Liang Wang gets a round of applause from his colleagues.
Photo by Chris Lee © 2009 The New York Philharmonic.

It is not common practice for reviewers to attend the last night of a concert weekend by the New York Philharmonic. But Tuesday night's concert, the last of four featuring two major tone poems by Richard Strauss and an Oboe Concerto by current composer-in-residence Christopher Rouse proved an historic occasion. For this was the last time that outgoing concertmaster Glenn Dicterow would play the solo parts in Don Juan and Also Sprach Zarathustra. (It was also this writer's only chance to see this concert following his return from last week's Chicago trip.)