Metropolitan Opera Preview: Mefistofele

Arrigo Boito retells the Faust legend, from the Devil's perspective. 
by Paul J. Pelkonen

Mefistofele (in the red pajamas, left) faces down the heavenly hoist in Boito's opera.
Photo © 2018 The Metropolitan Opera.

There are many operatic takes on the story of Faust, the medieval scholar who sells his soul to the Devil for the gifts of youth and the experience of love. This is the most cosmic: a struggle between good and evil that places the audience's sympathy squarely with its horned title character.

Opera Review: Hot Rails to Hell

The BSO brings back The Damnation of Faust.
by Paul J. Pelkonen

Conductor Charles Dutoit (on podium) leads Paul Groves, Susan Graham and John Relyea in the trio from
Part III of The Damnation of Faust. Photo by Hilary Scott for the Boston Symphony Orchestra.

I'm going open this review on a personal note.

Ten years (and change) age, I posted the first review on Superconductor, of the Boston Symphony Orchestra playing Hector Berlioz' The Damnation of Faust. That concert (you can read about it here) was at Carnegie Hall under the baton of James Levine. In honor of that anniversary, I took an early morning Amtrak to Boston yesterday to see the BSO perform The Damnation of Faust.

It was worth the trip.

Opera Review: Fireproof

Simon Keenlyside makes a comeback as Don Giovanni.
by Paul J. Pelkonen

The statue of the dead Commendatore (Kwangchal Youn, left) takes Don Giovanni 
(Simon Keenlyside) down to Hell as Leporello (Adam Plachetka) cowers on the right.
Photo by Marty Sohl © 2016 The Metropolitan Opera.

The Metropolitan Opera's current production of Don Giovanni, introduced at the opera house by director Michael Grandage in 2011 is an uninspired, ugly hash with a some impressive, yet noisy fire effects at the end. And yet, Mozart's opera remains immortal. Its music, when properly delivered, would work if the singers were in burlap sacks with paper bags over their heads, an image one must be cautious with lest it inspire some young theater director looking to mount Don Giovanni in the future.

Opera Review: March to the Scaffold

The Met's Summer HD Festival repeats La Damnation de Faust.
by Paul J. Pelkonen

 Let's make a deal: Méphistophèles (John Relyea, left) offers advice to
Marcello Giordani's Faust in Berlioz' La Damnation de Faust.
Photo by Ken Howard © 2008 The Metropolitan Opera.

Two key initiatives from the reign of current  Metropolitan Opera general manager Peter Gelb were on display at Lincoln Center Plaza on Thursday night. The first was the company's Live in HD program. The second: the company's recent association with director Robert Lepage. The occasion: a free outdoor screening of Mr. Lepage's 2008 production of La Damnation de Faust, the director's first and most successful show for the Met stage.