Support independent arts journalism by joining our Patreon! Currently $5/month.

About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Antonio Vivaldi. Show all posts
Showing posts with label Antonio Vivaldi. Show all posts

Wednesday, February 8, 2017

Concert Review: Her Terrible, Swift Sword

Juditha Triumphans triumphs at Carnegie Hall.
by Paul J. Pelkonen
Judith and Holofernes by Valentin de Bolougne. 
National Museum of Fine Arts, Valletta, Malta
The music of Antonio Vivaldi was forgotten for centuries. When he was rediscovered in the 20th century, he rapidly emerged as one of the greatest composers of Renaissance Venice. The father of the multi-movement violin concerto, he was also a teacher of music, the creator of 94 operas and (at least) four oratorios. On Tuesday night, Carnegie Hall resounded with its first performance of his lone surviving oratorio, Juditha Triumphans.

Monday, March 31, 2014

The Superconductor Interview: Beyond the Four Seasons

One-on-one with Susan Orlando, the woman behind the Vivaldi Edition.
by Paul J. Pelkonen
Antonio Vivaldi and Susan Orlando. Yes it's altered.
Original image © Naïve Classics, photo alteration by the author.
"The Vivaldi Edition is realy big. It's made a big splash!"

The speaker is Susan Orlando, director of the Vivaldi Edition, which releases complete recordings of the composer's operas on Naïve Classics. An American viola da gamba player who lives in Turin, Italy. she has been integral in showing listeners that there is far more to Vivaldi's vast output than The Four Seasons. Vivaldi, who lived and worked in Venice from (1678-1741) wrote ninety-four operas (counting pastiches. Just twenty of them have survived.

"We are doing for Vivaldi what the Germans did for Bach in the 20th century," Ms. Orlando said in a recent telephone interview. "In Europe, we're well on our way. Opera Zurich is starting to do full staged versions of the operas. Aix-en-Provence is doing a Vivaldi opera. So we're starting slowly just as they did with Handel."

Trending on Superconductor

Translate

Share My Blog!

Share |

Critical Thinking in the Cheap Seats