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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label 2017 Season. Show all posts
Showing posts with label 2017 Season. Show all posts

Friday, October 6, 2017

Concert Review: Of Intimacies and Mortal Thoughts

Mischa Maisky and Orpheus Chamber Orchestra open the 92nd St. Y season.
by Paul J. Pelkonen
Mischa Maisky. Photo © Deutsche Grammophon/UMG.
Ask a music lover (like your humble narrator!) what hall has the "best" acoustics in New York, and the response might well be the Kaufman Auditorium. This wood-paneled, intimate hall is the centerpiece of the 92nd St. Y, that educational and cultural center that stands foremost among such institutions on Manhattan’s swanky Upper East Side. In addition to its lectures, social events and educational programs, the 'Y' offers top-flight lieder, chamber music and occasional orchestral concerts, all of which are among the finest New York offers in terms of musical quality. 

Tuesday, September 26, 2017

Opera Broadcast Review: Buzz-saw and Dynamo

The Met’s new Norma gives the people what they want.
by Paul J. Pelkonen
Woman on top: Sondra Radvanovsky (center) and Joyce DiDonato (right) in Act I of Norma.
Photo by Ken Howard © 2017 The Metropolitan Opera.
In the twelve years since Peter Gelb took the helm of the Metropolitan Opera, the company's opening night has been a splashy, if tricky proposition. Splashy because it's a big glitzy occasion with celebrities in gowns on the red carpet, a big fancy dinner afterwards and for the little people (like your humble correspondent) a free public simulcast on the electronic wonderwall televisions of Times Square with the opera pumped through speakers. For Mr. Gelb, Opening Night (the caps are his) has been the chance to premiere a new production at the Met. This new Norma (directed by Sir David McVicar and starring Sondra Radvanovsky and Joyce Di Donato) provided every opportunity for a a slam dunk.

Wednesday, September 20, 2017

Concert Review: Another Openin', Another Maestro

Jaap van Zweden opens the New York Philharmonic.
by Paul J. Pelkonen
Jaap van Zweden accepts the "baton award."
Photo by Chris Lee © 2017 The New York Philharmonic.

The changing of the guard at any major symphony orchestra is a long and complicated process. For the New York Philharmonic, who are in the process of installing the Dutch conductor Jaap van Zweden as its new music director, that process took another turn on Tueday night. Mr. van Zweden is not quite "here" yet. He will start his first official season with the orchestra in 2018 and conduct a few subscription concerts this year. Meanwhile, he will divide this season between New York, Hong Kong and Dallas, where he is in the final year of his contract.

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Critical Thinking in the Cheap Seats