Francis Poulenc's dark opera combines religion, politics and history to devastating effect.
by Paul J. Pelkonen
The Met ends its season with this grim and brilliant 20th century opera, in its justifiably famous staging by John Dexter. Three performances only.
What is Dialogues des Carmélites
This is Francis Poulenc's searing feminist take on the Catholic Church and the French Revolution. It deals in equal proportion with religion and politics, placing the story of a young acolyte and the harc challenges she faces inside the convent against the grim fate of all of the Carmelite sisters during the Reign of Terror. They are all guillotined.
What's the plot?
The young noblewoman Blanche de la Force decides to enter a Carmelite convent in Compeigne as the French Revolution is on the march. There, she encounters the hardship of life inside the walls. The stern Mother Superior dies in agony. The convent is closed by the National Assembly. The nuns are arrested and condemned to death. They sing a "Salve Regina" prayer. One by one, they are led to their deaths. Blanche is the last to die. The opera ends in silence.
How's the music?
Francis Poulenc was a brilliant modernist who worked in a tonal idiom. Setting most of the opera as recitative, the score occasionally bursts forth into flowers of sound evoking the faith of the sisters of the order and Blanche's own fears and self-doubt. The final scene, as a cappella singing is interrupted by the juddering thunk of the (offstage) guillotine blade, is one of the most terrifying things that one can experience in the opera house.
How's the production?
John Dexter set this grim story in a stark visual language reminiscent of the Bayreuth productions of Wieland Wagner. He created one of the most moving and enduring productions in the Metropolitan Opera's repertory. It has held the stage since 1977.
Who's in it?
This revival features Isabel Leonard as Sister Blanche. She is flanked by a superb cast including Erin Morley as Sister Constance and the return of Karita Mattila as Madamoiselle de Croissy, the Mother Superior of the convent. Yannick Nézet-Séguin conducts.
When does it open?
There are just three performances of this opera this season and the first is on May 3.
Where can I get tickets?
Individual tickets are available through the Met box office. There are rush tickets available for all three performances. Call the Met box office (212) 362-6000 or visit Metopera.org for more information.
If you enjoyed this article, it's time to click over to Superconductor's Patreon page, and help support the cost of independent music journalism in New York City at the low cost of just $5/month.
by Paul J. Pelkonen
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| Isabel Leonard is Sister Blanche de la Force in Dialogues des Carmélites. Photo by Ken Howard © 2019 The Metropolitan Opera. |
What is Dialogues des Carmélites
This is Francis Poulenc's searing feminist take on the Catholic Church and the French Revolution. It deals in equal proportion with religion and politics, placing the story of a young acolyte and the harc challenges she faces inside the convent against the grim fate of all of the Carmelite sisters during the Reign of Terror. They are all guillotined.
What's the plot?
The young noblewoman Blanche de la Force decides to enter a Carmelite convent in Compeigne as the French Revolution is on the march. There, she encounters the hardship of life inside the walls. The stern Mother Superior dies in agony. The convent is closed by the National Assembly. The nuns are arrested and condemned to death. They sing a "Salve Regina" prayer. One by one, they are led to their deaths. Blanche is the last to die. The opera ends in silence.
How's the music?
Francis Poulenc was a brilliant modernist who worked in a tonal idiom. Setting most of the opera as recitative, the score occasionally bursts forth into flowers of sound evoking the faith of the sisters of the order and Blanche's own fears and self-doubt. The final scene, as a cappella singing is interrupted by the juddering thunk of the (offstage) guillotine blade, is one of the most terrifying things that one can experience in the opera house.
How's the production?
John Dexter set this grim story in a stark visual language reminiscent of the Bayreuth productions of Wieland Wagner. He created one of the most moving and enduring productions in the Metropolitan Opera's repertory. It has held the stage since 1977.
Who's in it?
This revival features Isabel Leonard as Sister Blanche. She is flanked by a superb cast including Erin Morley as Sister Constance and the return of Karita Mattila as Madamoiselle de Croissy, the Mother Superior of the convent. Yannick Nézet-Séguin conducts.
When does it open?
There are just three performances of this opera this season and the first is on May 3.
Where can I get tickets?
Individual tickets are available through the Met box office. There are rush tickets available for all three performances. Call the Met box office (212) 362-6000 or visit Metopera.org for more information.
If you enjoyed this article, it's time to click over to Superconductor's Patreon page, and help support the cost of independent music journalism in New York City at the low cost of just $5/month.
