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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2018 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Sunday, September 30, 2007

Placido D'OH-mingo

Placído Domingo ("P. Dingo") as
drawn by Simpsons creator Matt Groening.
Image © Fox/Gracie Films
The great tenor Placído Domingo made an unexpected television appearance Sunday night, as special guest star in "The Homer of Seville", an opera-oriented episode of The Simpsons. Tonight's episode featured Homer's short career as a star tenor. After a catastrophic injury, Homer discovers that he can sing beautifully as long as he is lying on his back.

With Mr. Burns' guidance, the big guy becomes a bona fide opera star, working his way up through Puccini's La Boheme and Rossini's Il Barbiere di Siviglia.. (He did the final scene from La Boheme and the "Lindoro" aria from Barbiere during the episode, along with a Broadway selection and The Star-Spangled Banner Midway through the second act, Señor Domingo appeared as a towel-clad version of himself, giving Homer some useful career advice.

For you Simpsons fans who read this blog (and I know you're out there) this is at least the fourth time that opera has played a heavy part in an episode.

  • In Season 17, "The Italian Bob" featured Kelsey Grammar as Sideshow Bob, attempting to murder both Krusty the Klown and Our Favorite Family during a performance of Pagliacci in Rome.

  • In Season 15, "Margical History Tour" featured Bart as the young Wolfgang Amadeus Mozart (author of the opera The Musical Fruit. Lisa is the jealous (and homicidal) Salieri and Homer takes the role of Mozart's overbearing father, Leopold.

  • Sideshow Bob attempted to kill Bart to the score of H.M.S. Pinafore in Season 5.

  • And finally, the very first episode, "Bart the Genius" has Marge taking the family out to see Carmen (in Russian, no less.)

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Critical Thinking in the Cheap Seats

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Since 2007, Superconductor has grown from an occasional concert or CD review to a near-daily publication covering classical music, opera and the arts in and around NYC, with excursions to Boston, Philadelphia, and upstate NY. I am a freelance writer living and working in Brooklyn NY. And no, I'm not a conductor.