About Superconductor

Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2016 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Sunday, May 30, 2010

Cosmic Oceans: A Buyer's Guide to Bruckner





Anton Bruckner appears on Austria's 1,000-schilling note.
Start listening to the mighty symphonies of Anton Bruckner and you'll notice two things immediately. One: these are big slow moving works, infused with the composer's rapt religious convictions. They're practically church music. Two, given the massive size of their individual movements, you've now moved into what's considered the "deep end" of 19th century symphonic repertory.
Here's a swimmer's guide to the cosmic oceans of sound: Bruckner's symphonies.

Gunther Wand
The Günter Wand Cycle
This excellent set of the nine numbered symphonies (Wand leaves out the '00' and '0' works) is available in an old-fashioned "doorstop box" from RCA Red Seal. Wand had a long podium career, and became a Bruckner specialist later in his career. His Cologne-based orchestra is quite good, with above-average horns and woodwind. But the selling point here is the conductor's devotion to the absolute letter of Bruckner's scores. This set is a good starting point.

The George Tintner Naxos Cycle
Although he was battling cancer at the time, the late George Tintner made a landmark cycle of Bruckner symphonies. He coaxed great performances from a series of obscure orchestras. This super-budget set includes the, proving that you didn't have to have a big name to play great Bruckner. The set includes Symphony No. 0 (Die Nullte) and the even rarer Symphony No. 00, which Bruckner rejected as being a mere student work.

Royal Concertgebouw Orchestra
cond. by Bernard Haitink; cond. by Riccardo Chailly
Two excellent cycles from the great Dutch orchestra, each featuring a fine conductor. Haitink recorded complete cycles of most of the major symphonists. Under his baton, one hears the classic Concertgebouw sound, a certain mellow orchestral quality that is difficult to duplicate anywhere else. Chailly's set is in more modern digital sound, and showcases this great orchestra under more fiery leadership. His cycle also includes the best performance of "Die Nullte" on this list.
Sergiu Celibidache
Berlin Philharmonic
cond. by Eugen Jochum; cond. by Herbert von Karajan; cond. by Daniel Barenboim
The Berliners cement their reputation as one of the world's top orchestras with these three fine cycles. Jochum is brisk and no-nonsense. His cycle is like Wand's, close to the letter of the text and a sturdy presence in the CD catalogue for years. Karajan is very comfortable in this music and takes a relaxed Romantic approach. These Berlin recordings are better than his later "Karajan Gold" recordings with the Vienna Philharmonic.


The more recent Barenboim recordings (his second complete cycle of the symphonies--the first has been deleted) are the most idiosyncratic, with odd decisions in matters of tempo and dynamic. Still, the Berlin forces play their hearts out, and it is interesting to hear Barenboim puts his unique stamp on each symphony.

The Recordings of Sergiu Celibidache
Special mention must be made of this maverick Romanian conductor. Like Wand, Celibidache was a Bruckner specialist. However, unlike most conductors, Celibidache did not believe in making recordings. Luckily his family preserved tapes of radio broadcasts of some of his performances. These were released after his death in a series of issues on EMI and Deutsches Grammophon. These are not complete cycles, (Symphonies Nos. 1 and 2 are missing, and the DG set omits No. 6 as well) but the performances are moving and in most cases, super-slow. Not the best first performances to own, but these are favorites of Bruckner devotees.
Post a Comment

LinkWithin

Related Posts Plugin for WordPress, Blogger...

Translate

Critical Thinking in the Cheap Seats

My photo

Since 2007, Superconductor has grown from an occasional concert or CD review to a near-daily publication covering classical music, opera and the arts in and around NYC, with excursions to Boston, Philadelphia, and upstate NY. I am a freelance writer living and working in Brooklyn NY. And no, I'm not a conductor.