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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.

Friday, April 6, 2018

They've Killed Mozart!

Mozart in the Jungle cancelled by Amazon.
by Paul J. Pelkonen
Detail from The Death of Mozart (1870) by Henry O'Neill.
The popular and award-winning series Mozart in the Jungle has played its last concert. Today, Amazon.com announced that the series, a dramatic sitcom set in New York City that chronicled the backbiting, infighting and backstabbing of the classical music business, will not be renewed for a fifth season.

Concert Review: And Now They're Back (From Outer Space)

Esa-Pekka Salonen gets cosmic with the New York Philharmonic.
by Paul J. Pelkonen
Lord of darkness: Esa-Pekka Salonen.
Photo © 2018 the New York Philharmonic.
The New York Philharmonic is back on its home stage of David Geffen Hall, after an extensive tour that saw the orchestra visit multiple Asian countries in March. This week's program, seen Thursday night features a rare podium appearance from composer-conductor Esa-Pekka Salonen and the premiere of a new work Metacosmos by the young composer and Kravis Prize recipient Anna Thorvaldsdottir.

Wednesday, April 4, 2018

Metropolitan Opera Preview: Cendrillon

Joyce DiDonato stars in the Massenet version of Cinderella.
by Paul J. Pelkonen
Joyce DiDonato goes to the ball in the Laurent Pelly production of Cendrillon.
Photo © 2018 The Metropolitan Opera.
The Metropolitan Opera has spent the last decade enthusiastically trawling through the vast operatic catalogue of Jules Massenet, the Parisian composer who represents the last gasp of French Romanticism before the dawn of the 20th century. Here they present the company's first performances of Cendrillon Joyce DiDonato sings the title role.

Tuesday, April 3, 2018

Opera Review: The Passing of the Torch

The Met's Luisa Miller shows a company in transition.
by Paul J. Pelkonen
Take my daughter, please: Sonya Yoncheva, Placido Domingo and Piotr Beczala in Luisa Miller.
Photo by Chris Lee © 2018 The Metropolitan Opera.
The Metropolitan Opera's revival of its 2001 production of Luisa Miller looks backwards and forwards at once. It features Placido Domingo singing the latest in a line of Verdi baritone roles that the aging tenor has used to extend his already distinguished career. (It was also supposed to reunite the singer with James Levine, but the conductor's firing due to repeated accusations of sexual misconduct by multiple parties spoiled that happy event.) It looks forward in that its two leads, Piotr Beczala and Sondra Yoncheva, represent the cutting edge of a new generation of opera singers that are having their well-deserved moment in the spotlight.

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Critical Thinking in the Cheap Seats