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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label twelve-tone music. Show all posts
Showing posts with label twelve-tone music. Show all posts

Friday, June 1, 2018

Opera Review: The Sod Couple

The New York City Opera climbs Brokeback Mountain.
by Paul J. Pelkonen
Save a horse: Daniel Oklutich (right) embraces Glenn Seven Allen in a scene from Brokeback Mountain.
Photo by Sarah Shatz for New York City Opera © 2018
Ten years ago,  New York City Opera commissioned composer Charles Wuorinen to write an opera based on Anne Proulx' short story Brokeback Mountain, which had been made into a much-lauded film by Ang Lee just three years before. That version of City Opera failed and folded, and the opera premiered in Madrid in 2014. On Thursday night, Mr. Wuorinen's Brokeback Mountain (with a libretto by Ms. Proulx) finally had its North American premiere at Lincoln Center's Rose Theater, mounted by the new New York City Opera run by impresario Michael Capasso.

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Critical Thinking in the Cheap Seats