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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label rock. Show all posts
Showing posts with label rock. Show all posts

Friday, June 29, 2018

Concert Review: The Return Rate of Sequels

U2 return to Madison Square Garden
by Paul J. Pelkonen
Just a small band from Dublin: Adam Clayton (right) Bono (center) and The Edge (right) rock Madison Square Garden
Photo by Susan Weinstein, who also got us the tickets.
Most giant rock tours don't get a sequel. An exception is the epic stage production by the Irish band U2, who brought their new "Experience and Innocence" tour to Madison Square Garden on Monday night. This tour is a follow-up to the band's "Innocence and Experience" trek of 2015, and is in support of their new (and thirteenth) studio record Songs of Experience. (Warning, review contains major set list spoilers.)

Tuesday, November 21, 2017

Concert Review: The Return of the Smooth Kriminals

King Crimson strip the paint off the Beacon Theater.
by Paul J. Pelkonen
Starless and Bible Black and white: The men of King Crimson prepare to take the stage at the Beacon Theater
Photo by Dave Salt from TonyLevin.com 
[Ed. Note: Those of you who read Superconductor regularly know that three weeks ago, we dedicated a column  to King Crimson, the seminal and long-running progressive rock band, currently on tour in support of its Radical Action live boxed set. Well, the tour came to New York's Beacon Theater and we are happy to report that we snagged tickets. So here's another review, hopefully for your enjoyment.]

King Crimson stand alone among the long-lived, still-active rock bands that rose up in the first wave of what is referred today as so-called "progressive" or "prog" rock. The band is not so much a steady working unit as a collection of committed musicians, who form themselves around the guitar wizardry of 71-year old Robert Fripp. Mr. Fripp remains a pioneer of both his chosen instrument and electronic effects. He still plays seated, and still makes more noise than a New York City garbage truck at 6 a.m.

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