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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label rent. Show all posts
Showing posts with label rent. Show all posts

Thursday, November 19, 2015

Metropolitan Opera Preview: La bohème

The timeless and much-repaired Zeffirelli production is back for three runs.
by Paul J. Pelkonen
Upper West Side real estate. Sleeps four. Act I of La bohème.
Photo by Ken Howard © 2010 The Metropolitan Opera.

To its credit, the Metropolitan Opera is pretty good about stocking its frequent revivals of La Bohème with solid casts of singers who do a wonderful job with Puccini's too-familiar score. This year's revival features three seperate casts, with Rámon Vargas and Bryan Hymel each taking on the role of the ardent poet Rodolfo who falls head-over-notebook for the seamstress Mímí in belle epoque Paris.

Saturday, January 25, 2014

Opera Review: The Art is in the Details

The Met revives La bohème...again.
by Paul J. Pelkonen
Rodolfo (Joseph Calleja) woos Mimì (Maija Kovaleska) in Act I of La bohème.
Photo by Cory Weaver © 2014 The Metropolitan Opera.
At the Metropolitan Opera House, La bohème is as much of a tourist attraction as the Swarovski chandeliers and Marc Chagall murals. Franco Zeffirelli's production of Puccini's opera remains unassailable: an ode to the excesses of that Italian director and the enormous resources mustered by this formidable organization. The lives of these starving artists play out on sprawling, still-handsome sets, that are lovingly rebuilt and repainted for each revival. With its Act II crowd scenes and Act III snowfall, it is easy to forget that  the singing should come first.

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Critical Thinking in the Cheap Seats