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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label monodrama. Show all posts
Showing posts with label monodrama. Show all posts

Monday, October 31, 2016

Opera Review: The Pit and the Piano

On Site Opera and the Crypt Sessions unearth The Tell-Tale Heart.
by Paul J. Pelkonen
Hanging on a heartbeat: Elizabeth Pojanowski performs The Tell-Tale Heart 
by Gregg Kallor (center) with cellist Joshua Roman. Photo by Andrew Ousley.
There's nothing scarier than Edgar Allen Poe.

The writer and poet, who grew up in the Bronx and called New York home for much of his life is responsible for setting the template for the modern horror story, for inventing the detective tale, and for using simple words to give nightmares to millions of readers, this writer included. You can keep your tentacles, your chest-bursting aliens, your psychopaths wielding baseball bats bound with barbed wire: Poe's stories cut right to the heart of what terrifies us, our own inner demons and darkest moments laid bare for all to see.

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Critical Thinking in the Cheap Seats