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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label melodies. Show all posts
Showing posts with label melodies. Show all posts

Thursday, January 14, 2016

Concert Review: Gowns, Gods and Generals

Lisette Oropesa opens  2016 recital series at the Armory.
Lisette Oropesa (right) and pianist John Churchwell at the Park Avenue Armory.
Photo by Da Ping Luo © 2016 Park Avenue Armory.
Lisette Oropesa is rapidly advancing to the front rank of sopranos that sing lyric repertory on the world’s operatic stages. Now 32 and a decade out of the Metropolitan Opera’s Lindemann Young Artists Program, the willowy Cuban-American soprano appeared this week at e Park Avenue Armory, with two concerts to open that institution’s 2016 series of recitals in the historic Board of Officers Room.

Friday, January 31, 2014

Concert Review: The Night Was Sultry

Alice Coote sings French chansons at Zankel Hall.
by Paul J. Pelkonen
Hot house: The mezzo Alice Coote. Photo © IMG Artists.
The grand tradition of French art song (usually referred to as chanson or melodie) is not as instantly familiar as the German lied. In this country, French music of the Romantic and Modern era  is usually heard in the concert hall, ballet theater or opera house, with the vast trove of songs relegated to academics or silently ignored. On Thursday night, English mezzo-soprano Alice Coote sought to correct that oversight with a vast and wide-ranging program of chansons, plucked and proudly displayed in a recital at Zankel Hall, the modern recital space tucked neatly beneath its parent, Carnegie Hall.

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Critical Thinking in the Cheap Seats