A few words on the Glyndebourne Rosenkavalier controversy.
by Paul J. Pelkonen
There's been a lot of Internet space occupied lately by the controversy following reviews of the new Glyndebourne production of Der Rosenkavalier. Last week, British critics from major newspapers (including The Times, The Daily Telegraph and the Financial Times) took mezzo-soprano Tara Erraught to task for her body type in the performance of the opera's titular role. The controversy has since jumped the Atlantic and received coverage from the Washington Post and the New York Times website.
by Paul J. Pelkonen
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| Confronting her critics: Tara Erraught (right) in Richard Jones' new production of Der Rosenkavalier at the 2014 Glyndebourne Festival. Photo by Tristram Kenton © 2014 Glyndebourne Festival. |
