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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label classical music blog. Show all posts
Showing posts with label classical music blog. Show all posts

Monday, November 19, 2018

Concert Review: Talkin' 'bout Their Generation

The Cleveland Youth Orchestra at Severance Hall.
by Paul J. Pelkonen
Youth movement: Conductor Vinay Parameswaran at the helm of the Cleveland Orchestra Youth Orchestra.
Photo from the Cleveland Orchestra Youth Orchestra website © 2018 The Cleveland Orchestra.
For this New Yorker, it is unusual to attend a concert at Cleveland's lush, elegant Severance Hall and not see the familiar musicians of the Cleveland Orchestra on the stage. But last Friday night belonged to the next generation: the Cleveland Orchestra Youth Orchestra in one of its three subscription concerts at the venue this season.

Tuesday, October 30, 2018

Concert Review: The Uplift War

The Czech Philharmonic celebrates a centennial at Carnegie Hall.
by Paul J. Pelkonen
Zip it. Semyon Bychkov in action at the Proms in 2013.
Photo by Chris Christodoulou from SemyonBychkov.com.
The relationship between an orchestra and its music director is like a marriage under the trial period of a business contract.. For Semyon Bychkov and the Prague-based Czech Philharmonic, the honeymoons continuing into the ensemble's current North American tour.. Conductor and orchestra have released new recordings of Tchaikovsky and Dvořák. Their current jaunt is in celebration of the 100th anniversary of Czech independence from the Austro-Hungarian Empire, is currently stopped at Carnegie Hall.

Thursday, October 18, 2018

Concert Review: The Price of Perfection

Joshua Bell and the New York Philharmonic play The Red Violin.
by Paul J. Pelkonen
Here's looking at you, kid: Samuel L. Jackson peers into The Red Violin.
Image © 1998 Mikado Pictures
Is it worth it to create the greatest instrument in the history of Western music, even if it costs you everything?

That is the question asked by the 1998 François Girard film The Red Violin, which tracks the creation, birth and long life of its titular object from a workshop in Cremona in the 16th century to an auction house in modern day Montreal. However, more notable than the film is its Academy award-winning score, which is being played this week in conjunction with the film by Joshua bell and the New York Philharmonic. Michael Stern conducted.

Sunday, October 7, 2018

Concert Review: The Axe, the King, His Wife and Her Lover

Jaap van Zweden takes his new orchestra for a swim.
by Paul J. Pelkonen
Violins is no solution, but in the hands of Leila Josefowicz it's damn impressive.
Photo b Chris Lee © 2018 The New York Philharmonic.
The New York Philharmonic is settling into its new relationship with music director Jaap van Zweden, whose contract started just last month. So far the new boss has placed a heavy emphasis on modern music, with works by living composers opening the first three programs of the young season. This week marked the opening of The Art of Andriessen, a program celebrating the large-scale idiosyncratic work of composer Louis Andriessen. (Mr. Andriessen, an award-winning Dutch composer, is best known to New Yorkers for De Materie, an opera that included hovering blimps and a large flock of live sheep.)

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Critical Thinking in the Cheap Seats