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Our motto: "Critical thinking in the cheap seats." Unbiased, honest classical music and opera opinions, occasional obituaries and classical news reporting, since 2007. All written content © 2019 by Paul J. Pelkonen. For more about Superconductor, visit this link. For advertising rates, click this link. Follow us on Facebook.
Showing posts with label Year in Reviews 2015. Show all posts
Showing posts with label Year in Reviews 2015. Show all posts

Monday, January 4, 2016

The Year in Reviews: The Concerts of 2015

The best concerts and recitals of the year that was.
by Paul J. Pelkonen
The Mysingsö Beach Chair (pictured above) was a key component of
Goldberg, the experimental presentation of Bach at the Park Avenue Armory.
Photo from IKEA.com © IKEA.
2015 was a year of farewells. Pierre Boulez, having turned 90 quietly stepped off the podium. Kurt Masur passed away. Valery Gergiev ended his term with the London Symphony Orchestra and Alan Gilbert announced that he would be moving on from the New York Philharmonic. However it was also a very good year for concert music.

This year's concerts were in a variety of settings: Lincoln Center, NJPAC and even a beach chair in the middle of the darkness of the Park Avenue Armory. All that and more is in the list of the ten best concert experiences I had in 2015. All links lead to full reviews and all quotes below are taken from Superconductor articles.

Sunday, January 3, 2016

The Year In Reviews: New Music in 2015

The music of the future--today on Superconductor.
by Paul J. Pelkonen
The amazing instruments of Harry Partch (seated.)
Photo from Partch.org

From the appointment of Esa-Pekka Salonen as Composer-in-Residence at the New York Philharmonic to the astonishing return of Peter Schickele and P.D.Q. Bach (with a new Schickele work on the horizon, more on that later) this was an interesting year for new music. Pierre Boulez celebrated an important birthday and quietly retired from conducting.

Saturday, January 2, 2016

The Year in Reviews: The Operas of 2015

The ten best opera performances of the year that was.
by Paul J. Pelkonen
Dangerous curves: Marliss Peterson's performance in Lulu was a highlight of 2015.
Photo by Ken Howard © 2015 The Metropolitan Opera.
Despite the untimely death of Gotham Chamber Opera, 2015 was largely a successful year for the art form in the New York area and elsewhere. Here's the ten best opera performances that this reviewer saw this calendar year. All titles link to full Superconductor reviews. Chronological order with the oldest first.

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